{"title":"Studio \/ Recording","description":"\u003ca href=\"\/products\/native-instruments-maschine-mk3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/files\/Native_Instruments_MASCHINE_MK3_480x480.jpg?v=1593385106\" alt=\"Native Instruments Maschine MK3\"\u003e\u003c\/a\u003e","products":[{"product_id":"native-instruments-komplete-audio-6","title":"Native Instruments Komplete Audio 6","description":"\u003ch2\u003e6-Channel Premium Audio Interface\u003c\/h2\u003e\r\n\r\n\u003cp\u003eKOMPLETE AUDIO 6 is a premium-quality 6-channel audio interface that picks up where its predecessor AUDIO KONTROL 1 left off. It provides everything you need to record, play and perform music, with four analog ins\/outs, digital in\/out, MIDI and low-latency performance — all in a sleek, rugged metal casing. The two mic inputs are armed with high-end pre-amps while Cirrus Logic converters deliver pristine, transparent sound. Upgrade your setup with KOMPLETE AUDIO 6 — because KOMPLETE sounds better.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe KOMPLETE AUDIO 6 package also includes KOMPLETE ELEMENTS, with over 1000 sounds and effects, plus software for recording, sequencing and DJing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eKOMPLETE AUDIO 6 lets you experience every facet of your sound, whether you're playing virtual instruments or recording audio. After all, if you're using MASCHINE or KOMPLETE Instruments and Effects, you're armed with an array of sounds in the highest-possible audio fidelity. KOMPLETE AUDIO 6 gives you the hardware to match.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePristine sound doesn't happen by accident — it's the result of knowledge, experience and close attention to detail. KOMPLETE AUDIO 6 has been designed in-house by NATIVE INSTRUMENTS, and takes the already award-winning sound quality of the AUDIO KONTROL 1 to a new level. From the custom, streamlined circuit design, through the hand-picked components to the analog volume knob on top of the unit — every part of the interface is designed to preserve signal clarity.\u003c\/p\u003e\r\n\r\n\u003cp\u003eKOMPLETE AUDIO 6 is designed to be flexible, with plenty of options for connecting mics, guitars, MIDI instruments or outboard gear:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e4 analog inputs: 2 balanced mic\/line\/instrument (XLR); plus 2 balanced line (1\/4\" TRS)\u003c\/li\u003e\r\n\u003cli\u003e4 balanced analog outputs (1\/4\" TRS)\u003c\/li\u003e\r\n\u003cli\u003eDigital stereo input and output (S\/PDIF \/ RCA) for lossless signal transmission\u003c\/li\u003e\r\n\u003cli\u003eMIDI in\/out for master keyboard, MASCHINE or any third-party MIDI controller\u003c\/li\u003e\r\n\u003cli\u003eHeadphone output with independent level control and source switch\u003c\/li\u003e\r\n\u003cli\u003eCompletely USB powered, with an extra sturdy custom USB socket\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eGuitar, microphone, headphones, MIDI-keyboard, digital sound source, laptop and monitor speakers are connected — and KOMPLETE AUDIO 6 still has inputs and outputs free.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEverything under control: KOMPLETE AUDIO 6 offers maximum connectivity and pristine sound quality for professional studio recordings.\u003c\/p\u003e\r\n\r\n\u003cp\u003eKOMPLETE AUDIO 6 makes it easy to integrate analog effects into your setup.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMASCHINE and your synth in perfect sync: KOMPLETE AUDIO 6 provides everything you need to record, play and perform music.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNew chips, new audio drivers and new circuitry ensure that latency is low, and the direct monitoring option provides 100% latency-free monitoring for recording guitars, vocals, or other live sources.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOther important recording features:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eLow-latency performance for using virtual instruments and effects\u003c\/li\u003e\r\n\u003cli\u003eHigh-quality pre-amps with individual gain controls\u003c\/li\u003e\r\n\u003cli\u003eDirect monitoring for live, latency-free recording\u003c\/li\u003e\r\n\u003cli\u003eMono input switch for recording vocals, guitar or other mono sources\u003c\/li\u003e\r\n\u003cli\u003e48V phantom power for using condenser mics and active DI boxes\u003c\/li\u003e\r\n\u003cli\u003e15 status LEDs provide visual feedback for all signals and indicate clipping\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eJust like the AUDIO KONTROL 1, a generous software package is included in KOMPLETE AUDIO 6, so you can produce songs or mix tracks right out of the box:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eKOMPLETE ELEMENTS — over 3 GB of inspiring instruments and effects\u003c\/li\u003e\r\n\u003cli\u003eCUBASE LE 6 — sequencer and recording software\u003c\/li\u003e\r\n\u003cli\u003eTRAKTOR LE 2 — DJ software\u003c\/li\u003e\r\n\u003cli\u003e$30 \/ 25 € e-voucher — for KOMPLETE Instruments or Effects at the NI Online Shop\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch2\u003eINCLUDED SOFTWARE\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWith the KOMPLETE AUDIO 6 package, you're ready to produce complete tracks and songs in any style, right from the word go.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAlthough KOMPLETE ELEMENTS is the distilled version of the award-winning KOMPLETE 7, it still weighs in at 3 GB, with over 1000 production-ready sounds and effects. Instruments for all styles of music are included: vintage drums from ABBEY ROAD, orchestral instruments from the Vienna Symphonic Library, band and world instruments, stunning REAKTOR synthesizers plus eight powerful guitar amps, matching cabinets and 27 stomp-box effects.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTRAKTOR LE 2 DJ software provides two playback decks to spin tracks directly from your hard drive, with full iTunes integration and iPod compatibility. The new hi-res colored waveforms and automatic beat-sync functions make it simple to use the looping, cueing and effects and go far beyond ordinary mixing.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCubase – the world’s most popular software for com- posing, recording and mixing music – is a digital audio workstation for Mac and PC. This LE version of Cubase 6 provides up to 48 audio tracks, up to 64 MIDI tracks and plenty of scope for recording and arranging songs. And, of course, it supports the instruments and effects in KOMPLETE ELEMENTS.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo expand your sonic scope even further, KOMPLETE AUDIO 6 includes an e-voucher* — worth $30 \/ 25 € — valid for the entire range of KOMPLETE Instruments and Effects at the NI Online Shop.\u003c\/p\u003e","brand":"Native Instruments","offers":[{"title":"Default Title","offer_id":33719248388229,"sku":"222KOMA6","price":179.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/222KOMA61.jpg?v=1587136095"},{"product_id":"akai-mpx8-mobile-sd-sample-player","title":"Akai MPX8 Mobile SD Sample Player","description":"\u003ch2\u003eSample simplicity\u003c\/h2\u003e\r\n\r\n\u003cp\u003eLoad virtually any sample via standard SD or SDHC card and assign it to any of the MPX8’s eight backlit velocity- and pressure-sensitive pads.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eIt’s that simple\u003c\/h2\u003e\r\n\r\n\u003cp\u003eUse it in the studio. Use it live on stage or on air. MPX8 packs proven Akai Pro technology into a compact, durable design that’s built to perform.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eControl Software \u0026amp; MIDI Gear\u003c\/h2\u003e\r\n\r\n\u003cp\u003eMPX8 also has USB MIDI plus standard MIDI inputs and outputs. Control everything from music software on your laptop to outboard MIDI gear. The included USB cable and 1\/8\"-to-MIDI adapter make it easy to connect.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eEdit with Ease\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWith the included sample kit editor, you can easily arrange, tune, and add reverb to your samples on your Mac or PC before loading them onto MPX8. The editor’s drag-and-drop functionality makes loading your samples as easy as possible.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eGet in the Loops\u003c\/h2\u003e\r\n\r\n\u003cp\u003eMPX8 also comes with a free Loop Library download from Akai Pro, plus a large library of standard samples built in, which can be used for live performance in front of a crowd, on a radio show, or for in-studio production.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eLose the Luggage\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIt’s compact, easy to load, and ready to go. MPX8 packs the sounds you need under great-feeling pads inside a solid Akai Pro design. You get quick and convenient one-touch access to a virtually unlimited number of sounds, shots, stabs, and drops. It’s that simple.\u003c\/p\u003e\r\n\r\n\u003cp\u003eSD and SDHC cards sold separately.\u003c\/p\u003e\r\n","brand":"Akai","offers":[{"title":"Default Title","offer_id":33732395237509,"sku":"521MPX8","price":89.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/521MPX81.jpg?v=1587194365"},{"product_id":"reloop-tape-usb-mixtape-recorder","title":"Reloop Tape - USB Mixtape Recorder","description":"\u003ch2\u003eThe mixtape is back!\u003c\/h2\u003e\r\n\r\n\u003cp\u003eDJs....you know the situation. Inspiration hits you and you want to record a new live mix to share with friends or promoters online. The only issue is, there's no fast or hassle-free way of capturing the moment without the need of a computer and recording software. Reloop has created a smart solution to this problem with the launch of TAPE - an easy and secure digital recording device with the retro design of the beloved mixtape.\u003c\/p\u003e\r\n\r\n\u003ch2\u003e3 basic steps\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWith TAPE, there are only 3 basic steps: Step 1. Connect your USB drive. Step 2. Connect your mixer and input cable. Step 3. Press the Record button. And that's it.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eHighly versatile possibilities\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe beauty of TAPE is that your mixes are recorded in digital MP3 format straight onto a USB drive. There's no need to burn the recording - you can simply pass it on to friends or feed it directly to your media player. Thanks to the phono\/line switch including a GND grounding post, digitalizing your vinyl classics is also a breeze. Even mixers that do not feature a separate record output can be connected as Reloop has included a smart thru port which routes the signal to the amplifier or speakers. The possibilities are highly versatile.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eGood by experience\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe recording quality can be adjusted to 192 or 320 kbps via a switch, depending on your requirements and available storage space.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEven in dark surroundings like nightclubs, convenient status LEDs keep you informed about the active power supply, whether a USB storage device is connected, current recordings, and whether the incoming levels are in the green or not.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTo meet the needs of the modern travelling DJ, Reloop has included a universal adapter so you can record independently of the local power connections. Upload it later in the hotel and send it out directly to your fan base, saving you time so you can keep collecting air miles hassle free.\u003c\/p\u003e\r\n\r\n\u003cp\u003eGood by experience: The Reloop mixtape 2.0\u003c\/p\u003e","brand":"Reloop","offers":[{"title":"Default Title","offer_id":33732409589893,"sku":"564TAPE","price":100.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/564TAPE1.jpg?v=1587194455"},{"product_id":"shure-beta-58-glxd24uk-beta58-digital-wireless","title":"Shure Beta 58 (GLXD24UK\/BETA58) Digital Wireless","description":"\u003ch2\u003eWhat is the Beta 58A best suited to?\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe Beta 58A is a premium vocal mic ideally suited for professional lead and backup vocals, either on stage or in the studio.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eHow does this compare to the legendary SM58?\u003c\/h2\u003e\r\n\r\n\u003cp\u003eBoth are designed for vocal use and have a bright midrange and bass roll-off. The Beta 58A has increased sensitivity and high-end frequency response which results in a cleaner more detailed sound. It also features a supercardioid polar pattern, for greater directionality and more resistance to feedback.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhat receiver comes with the Beta Digital Wireless Vocal System?\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe Beta Digital Wireless Vocal System comes with the Digital Wireless Receiver GLXD4. It combines automatic frequency management with true digital diversity for a rock-solid wireless signal with exceptional digital audio clarity.\u003c\/p\u003e\r\n\r\n\u003cp\u003eShure proprietary Lithium-Ion rechargeable batteries provide up to 16 hours of continuous use.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eHow does the automatic frequency management work?\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe Digital Wireless System feature LINKFREQ, an Automatic Frequency Management, making it easy to rely on seamless, crystal-clear audio.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e* The receiver continuously analyses the available frequency spectrum.\u003c\/li\u003e\r\n\u003cli\u003e* The receiver and transmitter automatically link using the best set of available frequencies.\u003c\/li\u003e\r\n\u003cli\u003e* If interference occurs, the receiver and transmitter intelligently move together to the best open frequencies, without ANY audio interruption.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eIt’s that simple. No buttons to push or controls to adjust.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eHow many musicians can use this system simultaneously?\u003c\/h2\u003e\r\n\r\n\u003cp\u003eDepending on the operation mode, up to 4 compatible systems (up to 8 maximum under ideal conditions) can be operated in parallel.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eHow is the handling of the rechargeable batteries?\u003c\/h2\u003e\r\n\r\n\u003cp\u003eShure proprietary Lithium-Ion rechargeable batteries provide up to 16 hours of continuous use. 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At home in the studio as part of a producer's rig or on stage as a solution for triggering critical sounds, MPX16 is a compact sampling powerhouse.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eIn and Out\u003c\/h2\u003e\r\n\u003cp\u003eWhile the hyper-responsive trigger pads and backlit display make tapping into your sample library a simple task, the integrated audio inputs empower you to add to it. Two ¼-inch (6.3mm) jacks let you connect your studio gear or other sound sources to the MPX16 for sample capture. Onboard editing tools provide sample trimming and pad assignment for immediate synergy into a production or performance. Use the headphone jack to monitor your captures, or send the audio to a mixer, monitors, a recording interface, etc using the ¼-inch main outs. A built-in mic provides immediate sample capture for those times when inspiration strikes; a dedicated Record Gain knob ensures you get it right.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eUSB \u0026amp; MIDI\u003c\/h2\u003e\r\n\u003cp\u003eMPX16’s flexibility goes beyond pad-triggered audio playback and capture. The full-size rear-panel USB port lets you drag \u0026amp; drop samples from your computer and even use the MPX16 as an SD card reader\/writer. The USB connection also provides a pipeline for MIDI data, enabling sample triggering from your DAW or computer-based sequencer. A 5-pin MIDI input means SD samples may be triggered from any MIDI-enabled gear such as keyboards, pad controllers, synths and electronic drums. A 5-pin MIDI output lets the MPX16 function as a dynamic pad controller. Layering wide-ranging sound sources during live and studio performance just got easier.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eEdit with Ease\u003c\/h2\u003e\r\n\u003cp\u003eWith the included Akai Pro MPX File Conversion Utility software (free download), managing computer-based samples and moving them to the SD card is intuitive. This software converts sound files into .WAV format for seamless playback on the MPX16. Samples may be edited from the MPX16's onboard sample processor; tuning, pad groups, envelopes, sample trimming, panning, and volume are tweakable right from the MPX16’s top-panel controls.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eReady to go\u003c\/h2\u003e\r\n\u003cp\u003eMPX16’s compact footprint means it is at home on a tabletop, music stand, lap, tray-table or in your backpack en route to the studio. 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It offers possibilities which were previously only available to professionals. Only easier. And it comes with all the apps you need. Now available for iPhone, iPad and iPod touch.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eTHE BEST OF BOTH WORLDS\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe Mobile Recording Series has been developed by Sennheiser and Apogee. As a reference brand in the high-end studio range, Apogee delivers the unmatched technology to convert the signal for ClipMic digital. The result – 96 kHz sampling frequency and 24 bit resolution – surpasses any CD and all expectations of mobile recordings.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eNOT ONLY PERFECTLY UNDERSTANDABLE BUT INSPIRING\u003c\/h2\u003e\r\n\r\n\u003cp\u003eYou can recognise high quality recordings by a certain silence. No hiss, no echo, no disturbing background noise. Whether podcast or quick interview, presentation or meeting: the ClipMic digital is ready to record in a matter of seconds. Plug in, clip on, start the app and off you go.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eEVENTS: SPOT ON FOR THOSE AMAZING MOMENTS\u003c\/h2\u003e\r\n\r\n\u003cp\u003eRelive those magic moments that sometimes happen in life. Your daughter’s recital in the school performance, the wedding speech, the retirement speech – capture these memories with the best sound quality available using ClipMic.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eUPGRADE YOUR SOUND TO HD TOO\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWhether video blogger or journalist, for Youtube or Skype: now the sound can finally compete with the video quality. With ClipMic, a mobile video solution has emerged that only a short time ago was only possible for television broadcasts.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eSMALL DESIGN. BIG SURPRISE.\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe small but powerful ME 2 microphone securely screens out ambient noises while focusing fully on the closest sound source – whether speech or song. 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This is great—it means that you can mix and modify\/manipulate your projects concurrently in real time, giving you a much wider array of creative options as a result of the far greater creative flexibility afforded by MIDImix.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eNothing Else Like it\u003c\/h2\u003e\r\n\u003cp\u003eUp until now, there was just no solution for musicians and producers who needed a compact, easily portable way to mix and process their projects on site. But MIDImix is the best solution for portable mixing on the go.  MIDImix offers an intuitive, familiar mixer layout, solid connectivity with the most popular DAWs, and legendary Akai Professional quality. MIDImix is exactly what you need to do great mixes and professional processing on site—at the same time.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eAbleton Live Lite included\u003c\/h2\u003e\r\n\u003cp\u003eBundled with MIDImix is Ableton Live Lite - Ableton Live Lite delivers much of the functionality of Ableton Live—the revolutionary, multi-award winning music production solution that lets you spontaneously compose, record, remix, improvise and edit your musical ideas in a seamless audio\/MIDI environment. Live brings your acoustic, electronic and virtual instruments—as well as your digital audio recordings and MIDI sequences—together in a single interface with unparalleled ease of use.\u003c\/p\u003e","brand":"Akai","offers":[{"title":"Default Title","offer_id":33734270288005,"sku":"521MIDIMIX","price":85.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/521MIDIMIX1.jpg?v=1587202864"},{"product_id":"shure-mvi-digital-audio-interface-mac-pc-iphone","title":"Shure MVi - Digital Audio Interface - Mac, PC, iPhone","description":"\u003cp\u003eDigital Audio Interface\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Shure MVi connects any standard XLR microphone or ¼-inch plug for guitar, bass or keyboard to any iOS device, Mac or PC for seamless, high-quality audio capture.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eFor home studio recording\u003c\/li\u003e\r\n\u003cli\u003eCompatible with iOS, Android, Mac and PC devices\u003c\/li\u003e\r\n\u003cli\u003eFeatures 5 DSP preset modes, headphone monitoring capabilities, and onboard touch panel controls\u003c\/li\u003e\r\n\u003cli\u003eIncludes MVi, USB and Lightning® cables, and user guide\u003c\/li\u003e\r\n\u003cli\u003eMade for iPhone 6 Plus, iPhone 6, iPhone 5s, iPhone 5c, iPhone 5, iPad Air 2, iPad mini (4th generation), iPad mini, iPod touch (5th generation).\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch2\u003eWHERE CAN THE SHURE MOTIV MVI BE USED?\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe compact Shure MOTIV MVi connects your microphone or instrument to your computer or mobile device to create a portable recording studio, wherever and whenever you need it.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor maximum flexibility, the unit connects to any PC, Mac or iOS device with Lightning Connector, as well as most Android devices (contact our expert team for full compatibility details), giving you absolute control while on the move.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis robust all-metal unit features a combined XLR and 6.3 mm input to enable use with both microphones and instruments. When connected to a laptop\/PC it also provides the phantom power required to operate condenser microphones.\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":33734276743301,"sku":"527MVI","price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/527MVI1.jpg?v=1587202899"},{"product_id":"rme-fireface-uc","title":"RME Fireface UC","description":"\u003cp\u003eThe compact Fireface UC has been uncompromisingly optimised for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core the Fireface UC provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUnder both Operating Systems the available latencies* are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance previously not available from USB audio interfaces.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eFeatures\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe new interface not only makes the leading-edge RME Fireface technology available for every PC and Mac computer, it also provides a unique low-latency concept and a high grade of performance and compatibility, making the dream of the perfect and future-proof mobile pro audio recording solution come true.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Fireface UC features all of the proven RME analogue and digital circuitry. It is the only device in its class with active jitter suppression, enhanced stand-alone functionality and complete controllability from the front panel, highly flexible I\/Os in professional quality, and an unsurpassed 648-channel matrix router - at sample rates of up to 192 kHz.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eIntegrated DSP mixer\u003c\/b\u003e -  All inputs and outputs can be freely mixed, routed, and distributed with RME´s TotalMix software. Up to 9 totally independent stereo submixes can be set up. Every output channel, and every submix channel can be recorded directly and without external cable loops. TotalMix can be completely MIDI remote controlled. The DSP-based hardware calculates RMS and Peak levels for all channels, without causing any significant CPU load.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAnalog I\/O\u003c\/b\u003e - Eight analog inputs and outputs (all balanced, except outputs 7\/8) with software controlled reference levels (-10 dBV, +4 dBu, Lo\/HiGain), realised discretely in the analog domain, ensure highest dynamic range and fidelity. Inputs 5 to 8 on the rear feature RME's proven level references, -10 dBV, +4 dBu and Lo Gain can be selected in the settings dialog, equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale. The same applies to the balanced rear analog outputs 1 to 6. The hi-power phones output offers high volumes even with low-impedance headphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003ePreamps\u003c\/b\u003e - The Fireface UC features 2 balanced microphone inputs with a digitally controlled input stage, individually switchable 48V phantom power, and Neutrik Combo connectors for XLR and TRS. These can also be used as additional line inputs. A pre-amplification of up to 65 dB (adjustable in 1 dB-steps over a range of 55 dB), exceptional EIN (Equivalent Input Noise) performance even at low pre amplification settings, and extremely low THD+N let these preamps surpass many reference devices. All level settings are 100% reproducible and can also be comfortably adjusted by software. Inputs 3 and 4 are flexible universal balanced inputs. They operate exactly like inputs 5 to 8 on the rear and can be adjusted to accept standard studio input levels (+4 dBu, LoGain). The input impedance can be switched from line (10 kOhm) to instrument (470 kOhm), and offers an additional analog input amplification of up to 18 dB in steps of 0.5 dB.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eDigital I\/O\u003c\/b\u003e - One ADAT I\/O provides digital connection to mixers and converters. In combination with an ADI-8 DS\/QS or OctaMic II, there are up to 16 analog inputs (respectively 12 @ 96 kHz). The coaxial SPDIF I\/O (up to 192 kHz) is fully AES\/EBU compatible. SPDIF can also be accessed through the optical I\/O.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eWord Clock \u0026amp; MIDI\u003c\/b\u003e - A Word Clock input and output plus two MIDI I\/Os (special breakout cable included) complete the list of features and turn the Fireface UC into an entire audio system of the highest quality.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eMore Features:\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eSample rates up to 192 kHz on all I\/Os (including 2 ADAT channels with SMUX4)\u003c\/li\u003e\r\n\u003cli\u003eTwo digitally controlled Mic Preamps in high-end quality\u003c\/li\u003e\r\n\u003cli\u003eTwo balanced universal inputs for line and instrument signals\u003c\/li\u003e\r\n\u003cli\u003eSteadyClock for maximum jitter suppression and clock refresh\u003c\/li\u003e\r\n\u003cli\u003eEnhanced stand-alone operation with rotary encoder and front panel display\u003c\/li\u003e\r\n\u003cli\u003eTotalMix: 648-channel mixer with 42-bit internal resolution\u003c\/li\u003e\r\n\u003cli\u003e54 Level Meter Peak\/RMS, hardware-calculated\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e* Minimal latencies are not guaranteed as they depend on the specific computer and application.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":33734292537477,"sku":"FIREFACEUC","price":806.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/FIREFACEUC1.jpg?v=1587202994"},{"product_id":"rme-fireface-ufx","title":"RME Fireface UFX","description":"\u003cp\u003eThe Fireface UFX is the flagship of RME's audio interfaces.\u003c\/p\u003e\r\n\r\n\u003cp\u003e60 channels of audio! Digitally controlled high-end preamps, reference class converters and full 192 kHz operation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUltra-low latency operation with USB and FireWire, combined with the legendary RME driver stability and maintenance. Including active jitter suppression, professional reference level support, advanced stand-alone functionality, RME's unique DIGICheck metering and analysis toolbox, and - of course - nearly identical operation and features on Windows PC and Mac.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOn top of it: TotalMix FX, the new digital high-end mixer and signal router, driven by two powerful DSP, with integrated EQ, Dynamics and Reverb\/Echo effects up to 192 kHz plus a built-in monitoring control.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe full-blown feature set is backed up by extraordinary usability. At its heart is a bright multi-functional colour display with full front panel metering for all 60 channels plus effect bus, and complete control of all key features - directly from the front of the UFX.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRME's new Fireface flagship is a highly integrated pro audio solution, a full-blown studio packed in a 19\" enclosure. An interface designed for users who don't want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivalled professional feature set. Once again a milestone interface from RME, including the best of the best - and even a bit more.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eInputs \u0026amp; Outputs\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe UFX provides 60 channels of audio: 30 input and 30 output channels. All inputs and outputs can be used at the same time. Up to 12 analog and 18 digital channels can be recorded onto 30 separate tracks.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAvailable I\/O (channels) with different Sample Rates\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003ctable\u003e\r\n  \u003ctr\u003e\r\n    \u003cth\u003eSample Rate\u003c\/th\u003e\r\n    \u003cth\u003eAnalog\u003c\/th\u003e\r\n    \u003cth\u003eAES\/EB\u003c\/th\u003e\r\n    \u003cth\u003eADAT\u003c\/th\u003e\r\n    \u003cth\u003eTotal In\/Out\u003c\/th\u003e\r\n  \u003c\/tr\u003e\r\n  \u003ctr\u003e\r\n    \u003ctd\u003e44.1\/48 kHz\u003c\/td\u003e\r\n    \u003ctd\u003e12\/12\u003c\/td\u003e\r\n    \u003ctd\u003e2\/2\u003c\/td\u003e\r\n    \u003ctd\u003e16\/16\u003c\/td\u003e\r\n    \u003ctd\u003e30\/30\u003c\/td\u003e\r\n  \u003c\/tr\u003e\r\n  \u003ctr\u003e\r\n    \u003ctd\u003e88.2\/96 kHz\u003c\/td\u003e\r\n    \u003ctd\u003e12\/12\u003c\/td\u003e\r\n    \u003ctd\u003e2\/2\u003c\/td\u003e\r\n    \u003ctd\u003e8\/8\u003c\/td\u003e\r\n    \u003ctd\u003e22\/22\u003c\/td\u003e\r\n  \u003c\/tr\u003e\r\n  \u003ctr\u003e\r\n    \u003ctd\u003e176.4\/192 kHz\u003c\/td\u003e\r\n    \u003ctd\u003e12\/12\u003c\/td\u003e\r\n    \u003ctd\u003e2\/2\u003c\/td\u003e\r\n    \u003ctd\u003e4\/4\u003c\/td\u003e\r\n    \u003ctd\u003e18\/18\u003c\/td\u003e\r\n  \u003c\/tr\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003cb\u003eAnalog I\/O\u003c\/b\u003e\r\n\r\n\u003cp\u003eThe UFX provides 12 analog I\/Os:\u003c\/p\u003e\r\n\r\n\u003cp\u003e12 Inputs. 8 balanced TRS on the back and 4 XLR inputs with mic\/instrument preamps on the front.\u003c\/p\u003e\r\n\r\n\u003cp\u003e12 Outputs . On the rear: 6 balanced TRS and 2 balanced XLR - perfect for the direct connection of the main studio monitors. On the front: Two additional TRS stereo phones outputs providing high volumes even with hi-impedance headphones (playback channels 9\/10 and 11\/12).\u003c\/p\u003e\r\n\r\n\u003cp\u003eSound Quality . When it comes to sound quality and price to performance ratio RME plays in its own league. The Fireface UFX is no exception. Like any other RME product it combines excellent analog circuit design with high-grade AD\/DA converter chips. Therefore all balanced TRS \u0026amp; XLR I\/Os and both phones outputs guarantee outstanding low noise and distortion values. In best RME tradition and product philosophy converters and preamps don't produce \"sound\", they do not add or remove anything from the source signal, just capture it as it is.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEquipped with the latest A\/D and D\/A converter chips, all I\/Os operate up to 192 kHz and reach 118 dBA dynamic range on playback - even both headphone outputs. Their high power technology delivers high volume no matter if high or low impedance phones are used. The balanced analog inputs are based on RME's low-latency converter design from the high-end converter ADI-8 QS. The DA section is based on RME's M-series. Both designs guarantee excellent S\/N and THD specs across a wide analog level range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDue to its efficient jitter reduction, RME's superior SteadyClock finalizes the state-of-the-art AD\/DA conversion, even when clocking to an external digital source.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEvery input and output is individually switchable to common professional studio levels: -10 dBV, +4 dBu, HiGain (equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale) - directly on the device or via TotalMix. The balanced XLR outputs even provide a level of up to +24 dBu.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll outputs can be used for ASIO Direct Monitoring purposes.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eMic\/Inst Preamps with RME's Advanced Parallel Conversion technology\u003c\/h2\u003e\r\n\r\n\u003cp\u003e\u003cb\u003ePreamps\u003c\/b\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003eThe UFX has four high-transparency preamps backed up by four stereo converters with RME's new parallel converter technology.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMicrophone and instrument preamps of the UFX use the core technology from RME's Micstasy - a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The fully symmetrical preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response. A premium solution for transmitting and amplifying any audio input truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe digitally controlled gain of up to 65 dB, adjustable in steps of 1 dB over a range of 55 dB, is individually set for every preamp by the display-supported controls on the front of the UFX. All level settings are 100% reproducible and can also be adjusted comfortably within the TotalMix software on the host computer or by a MIDI remote controller.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe four inputs on the front use balanced XLR\/TRS combo sockets and operate alternatively as Hi-Z inputs. Directly plug in up to four guitars or other instruments - no other hardware required.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEach channel can be individually switched to 48V phantom power or instrument level. LEDs for signal, clip, TRS operation and activated phantom power give a complete overview on the unit's status.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdvanced Parallel Conversion . The four UFX preamps are feeding not only four, but eight AD converters. Every microphone channel uses a double, parallel AD conversion on two AD converters at the same time to reach exceptional signal-to-noise values and a performance not available with a classic converter design.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe UFX follows RME's tradition of providing flexible and expandable audio systems. Adding additional preamplifiers or more analog inputs is easily done via the dual ADAT optical I\/Os on the rear.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eDigital I\/O, Word Clock \u0026amp; MIDI\u003c\/h2\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAES\/EBU:\u003c\/b\u003e The UFX provides a professional AES\/EBU I\/O working up to 192 kHz.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eADAT:\u003c\/b\u003e Two 8-channel ADAT I\/Os expand the UFX by 16 channels available simultaneously with the analog channels. They can be used to connect two 8-channel AD\/DA converters, mixing consoles, or to insert effects devices. Both I\/Os support sample rates with up to 192 kHz (S\/MUX4). Using two external converters like the ADI-8 QS, the UFX will provide 28 analog inputs and outputs, 20 with a sample rate of 96 kHz, and still 16 at 192 kHz.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eSPDIF:\u003c\/b\u003e The second ADAT I\/O can be used as optical SPDIF I\/O, making the UFX connections even more flexible.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eWord Clock \u0026amp; MIDI:\u003c\/b\u003e A word clock input and output (BNC) with switchable termination plus two MIDI I\/Os complete the I\/O list and turn the Fireface UFX into a professional audio system with universal usability.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eTotalMix FX\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe DSP-based TotalMix mixer allows fully independent routing and mixing of all 30 input and playback channels to all 30 physical outputs. Up to 15 totally independent stereo submixes plus a comprehensive Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd there is more: The next generation of TotalMix delivers hardware mixing\/routing with lots of new features and a highly improved usability. For a seamless integration of the new features TotalMix FX has been rewritten from the ground up.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEvery input and output channel comes with a luxury feature set, comparable to a full-scale digital console. The effects per channel include 3-band parametric EQ, adjustable Low Cut, Auto Level, Compressor, Expander, MS Processing and phase reversal. The Reverb and Echo effects unit is available for all channels by a stereo send and return bus. The UFX easily surpasses the competition by offering all these effects even at 192 kHz operation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTotalmix FXTwo DSPs ensure an impressive performance even in extreme applications. As usual with RME, TotalMix is available with all channels (90) at all sample rates, completely unlimited. The second DSP calculates the effects only, therefore has sufficient resources. For example, at 48 kHz 60 EQs, 34 Low Cuts and Echo can be activated. With activated Reverb and Echo still 46 EQs and 32 Low Cuts are available.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX-DSP uses automatic overload surveillance. As soon as no effect can be added anymore the TotalMix surface will clearly signal this condition. When changing to higher sample rates the UFX automatically deactivates all effects that exceed the DSP's performance - the DSP will never be overloaded. This also prevents the user from destroyed loudspeakers.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe complete effects section not only adds a lot of flexibility to the recording chain, but makes latency burdened software dispensable. TotalMix can easily replace any external mixer, e.g. to create different latency-free monitoring mixes with EQ and Reverb for the main studio monitors and the headphone of the vocalist(s) in the recording room.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFurthermore the DSP hardware calculates RMS and Peak levels for all 90 level meters, so there is zero CPU load on the host.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe main functions of TotalMix can be remote controlled via MIDI with any Mackie Control compatible controller.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eFeatures \u0026amp; Differences to classic TotalMix:\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eNew design and improved usability\u003c\/li\u003e\r\n\u003cli\u003eImproved Control Room section for the main output (studio monitors) and phones. Cue for quick listening to other outputs. Separated monitor panel.\u003c\/li\u003e\r\n\u003cli\u003eFour mute, solo and fader groups each.\u003c\/li\u003e\r\n\u003cli\u003eSwitchable mono and stereo channel view\u003c\/li\u003e\r\n\u003cli\u003eNew channel options: Stereo Width, MS Processing, Phase L\/R\u003c\/li\u003e\r\n\u003cli\u003eTrim Mode: Adjusts the volume for all routed signals of a channel. This option allows to modify the volume of all sends of a channel simultaneously, equalling a hardware's trim functionality.\u003c\/li\u003e\r\n\u003cli\u003eUnlimited Undo and Redo\u003c\/li\u003e\r\n\u003cli\u003eFX Sends and Returns: One send bus for every input\/playback channel with Reverb\/Echo\u003c\/li\u003e\r\n\u003cli\u003eExpandable channel view for channel settings, EQ and Dynamics setup\u003c\/li\u003e\r\n\u003cli\u003eSlim channel mode for selected or all channels, to save space or give a meter bridge view\u003c\/li\u003e\r\n\u003cli\u003e2-Row Mode: reduces the height of the mixer to two rows for smaller displays\u003c\/li\u003e\r\n\u003cli\u003eExtended Matrix window with mono\/stereo mode, Undo\/Redo, display of phase and mute\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch2\u003eMonitor Controller\u003c\/h2\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eRME Advanced Remote Control\u003c\/b\u003e - The UFX is not only a perfect desktop level controller, but a monitor switcher and source selector with integrated talkback function for modern Mix-In-the-Box studios. As the UFX includes the usually externally added monitoring controller, it also preserves the original sound, as its hardware output stays directly connected to the studio monitors.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eLevel Control.\u003c\/b\u003e The big rotary encoder on the front of the UFX maintains precisely controls the three dedicated stereo monitor outputs Main Out, Phones 1 and Phones 2. Start turning the volume encoder and the display shows the current gain value in big numbers. The small encoder buttons provide direct access to pan and reverb for the selected output. Pushing the volume knob switches between the outputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eMonitor Management.\u003c\/b\u003e The above gain (volume) settings at the unit work hand in hand with the Control Room section of TotalMix FX. Any physical output can be assigned to the three, directly knob-controlled monitor outputs. E.g. just assign the AES\/EBU output as Main Out, or as Phones Out - any output can be used. The functions Talkback, Listenback, Mono and Dim will work automatically for the assigned outputs in the expected way. Convenience at its best.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eHardware Remote.\u003c\/b\u003e The UFX h=as a connector for the optional RME hardware remote, with controls for Volume, DIM, level storage and Recall.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eUSB \u0026amp; FireWire\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWith the release of the Fireface 800 in 2004 RME stirred up the FireWire audio market, setting the benchmarks and providing a superior solution with a unique feature set. It is no surprise many customers and testers respect RME as the reference and technology leader for FireWire audio interfaces. In 2009 RME released the Fireface UC, a USB solution which again provided an exceptional performance, previously not available from USB audio interfaces, once more becoming the technology leader.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe secret of success: RME is the only manufacturer not to use a third party USB or FireWire audio technology, but an own, self-developed Hammerfall Audio Core with an outstanding performance and uncompromised pro audio features.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Fireface UFX now combines USB and FireWire, Made by RME, within one interface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eUSB 2.0\u003c\/b\u003e - The Fireface UFX has been uncompromisingly optimised for highest performance under Windows and Mac OS. It uses a special customised firmware for every operating system. Like other RME USB 2.0* interfaces, the UFX provides revolutionary ultra-low latencies even with multiple channels.\u003c\/p\u003e\r\n\r\n\u003cp\u003e* The Fireface UFX is compatible to USB 3 chipsets.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFireWire - The completely redesigned FireWire core provides the UFX with the same exceptional compatibility and performance as RME's USB solution. For the first time the UFX does not have any FireWire chip inside at all - it's completely programmed into the FPGA, under direct control of the RME masterminds, and updated by a simple firmware update - if ever necessary. This new technology is even compatible to Agere's infamous rev. 6 chip - that says it all.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eUsability\u003c\/h2\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eDisplay\u003c\/b\u003e - In search of an exceptional usability experience for the huge feature set, RME integrates a high-resolution colour display into the front panel. In combination with three rotary encoders all important features of the UFX can be manually controlled directly on the UFX itself. TotalMix, connected PC or Mac, is synced to the interface controls and follows all changes automatically.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eSmart control\u003c\/b\u003e - The four keys, the two encoders 1 and 2, the high-resolution and clear colour display, and a well thought-out menu structure enable the user to quickly change and configure all the device's settings even without a computer. Help notes and clear markers in the display guide the user through all functions.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eAdditional Features\u003c\/h2\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eSteadyClock\u003c\/b\u003e - RME's unique jitter suppression technology guarantees perfect sound quality throughout, making the device completely independent from the quality of external clock signals. Due to the highly efficient jitter reduction, the UFX converters operate independently from the quality of the external clock signal, as if they are working with internal clock all the time - guaranteeing a pristine sound quality!\u003c\/p\u003e\r\n\r\n\u003cp\u003eSteadyClock allows the Fireface UFX to control the sample rate freely on its own. The settings dialog includes a direct choice of the video and audio world's most often used sample rates.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eICC\u003c\/b\u003e - Intelligent Clock Control not only displays every clock status, but will also retain the last valid input sample rate in case of failure of the external source. Other renowned RME technologies like SyncCheck offer a quick detection of clock problems.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eDIGICheck\u003c\/b\u003e - The UFX comes with RME´s unique software tool box for metering, testing, measuring and analysing digital audio streams. It provides a multi-track recorder, calculates the level meters peak and RMS in hardware and is able to analyse and display playback data from any software, no matter which format the software uses.*\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003ePower supply\u003c\/b\u003e - The specially developed, internal hi-performance switch mode power supply lets the UFX operate in the range of 100V to 240V AC, thus it can be operated all over the world. It is short-circuit-proof, has an integrated line-filter, is fully regulated against voltage fluctuations, and suppresses mains interference.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eStand Alone Operation with Setup Recall\u003c\/b\u003e - Using the three rotary encoders and the clear colour display the Fireface UFX can be configured and set up completely at the device. Additionally internal memory allows for the permanent storage of six different states of the unit. Therefore the Fireface UFX is able to operate fully stand-alone, without any connected computer. In stand-alone operation it can transform into totally different devices by the simple click of a button. Furthermore, in this mode TotalMix FX can also be controlled via MIDI. Application examples include: 12-channel AD\/DA converter, 4-channel mic preamp, monitor mixer, digital format converter, analog\/digital routing matrix.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":33734293913733,"sku":"FIREFACEUFX","price":1579.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/FIREFACEUFX1.jpg?v=1587203000"},{"product_id":"rme-fireface-ucx","title":"RME Fireface UCX","description":"\u003ch2\u003e36 Ch, 24-Bit\/192kHz USB \u0026amp; FireWire Audio Interface\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe Fireface UCX, a new member of the RME Fireface X-Series - is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME’s long tradition of designing high-end interfaces as compact as possible, and frequently packing into a half-rack size unit what usually is spread out over two or three 19 inch panels.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn doing this the Fireface UCX marks a new space-cramping record, that's 300 electronic components more than in the already well-stocked Fireface UC! And 50 alone are to shield the internal high-end electronic from the pulsing DSP heart. In an immensely expanded effort RME have once again shoe-horned all their latest technologies which were introduced with the award winning flagship Fireface UFX, plus a whole bunch of newly developed ones, into a half 19” housing making it the perfect partner for mobile use.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe result is an awesome combination of RME’s most successful products: Fireface UFX, Firefaces UC\/400 and the Babyface.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Fireface UCX is not only a smaller version of the famous UFX, the UCX continues the legacy of RME’s tremendously successful compact interfaces such as the Fireface 400 and UC and combines it with the great usability experience of the Babyface by using one of the optional remote controls.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith the Fireface UCX, RME demonstrates once again how to reinvent an already perfect product, by improving existing features and characteristics with new sophisticated additions.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eRME Fireface UCX Features\u003c\/h2\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eLow Latency converters\u003c\/b\u003e of the mastering class with outstanding specifications.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eTwo mic preamps\u003c\/b\u003e with the premium technology from RME’s high-end recording bestsellers Micstasy and UFX, including the AutoSet overload protection.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA newly developed \u003cb\u003eHammerfall audio core\u003c\/b\u003e, supporting USB and FireWire with the maximum performance and ultra-low latency operation, combined with the legendary RME driver stability and maintenance, on both bus protocols.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eTotalMix FX\u003c\/b\u003e with the complete Fireface UFX DSP engine, including all zero-latency effects up to 192 kHz.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eMonitoring Controller:\u003c\/b\u003e by combining the impressive flexibility of the TotalMix FX monitoring tool set and the optional RME Basic or Advanced Remote Control.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRME’s unique \u003cb\u003eDIGICheck\u003c\/b\u003e metering and analysis toolbox for Windows PC and Mac.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePlus support for RME’s Remote Controls, active jitter suppression technology, AutoSet for safe recording, professional reference level support, advanced stand- alone functionality, full 192 kHz operation, and last but not least two high speed MIDI I\/Os.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd if all of that is not enough: The Fireface UCX is the first professional audio interface with class compliant mode to work with Apple’s iPad, for perfect stereo recording and playback, and addition of truly professional I\/Os.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eInputs \u0026amp; Outputs - High End converters with low latency design\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe UCX provides 36 channels of audio - 18 I\/Os. All channels can be used at the same time. Up to 8 analogue and 10 digital channels can be recorded onto 18 separate tracks. All outputs can be used for ASIO Direct Monitoring purposes.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAnalogue I\/O\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe UCX provides 8 analogue I\/O in a very flexible combination:\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003e8 Inputs\u003c\/b\u003e\u003cbr\u003e\r\nOn the rear: 4 balanced TRS.\u003cbr\u003e\r\nOn the front: 2 XLR inputs with Mic\/Line preamps (65 dB Gain) and 2 Hi-Z capable TRS Line\/ Instrument inputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003e8 Outputs\u003c\/b\u003e\u003cbr\u003e\r\nOn the rear: 6 balanced TRS outputs.\u003cbr\u003e\r\nOn the front: One additional TRS stereo phones (playback channels 7\/8).\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe high power phones output offers high volumes even with low-impedance headphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eDigital I\/O SPDIF (coaxial)\u003c\/b\u003e\u003cbr\u003e\r\nThe UCX provides a SPDIF I\/O (up to 192 kHz).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eADAT\u003c\/b\u003e\u003cbr\u003e\r\nOne ADAT I\/O expands the UCX by 8 channels, available simultaneously with the analog channels. They can be used to connect an 8-channel AD\/DA converter, to connect a mixing console, or to insert an effect device. The ADAT I\/O supports sample rates at up to 192 kHz (S\/MUX4). Using an external converter like the ADI-8 QS, the UCX will provide 16 analog inputs and outputs, 12 at a sample rate of 96 kHz, and still 10 at 192 kHz.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eSPDIF optical\u003c\/b\u003e\u003cbr\u003e\r\nThe ADAT I\/O can be used alternatively as optical SPDIF I\/O, making the UCX connections even more flexible.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAvailable I\/O (channels) with different Sample Rates\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003ctable\u003e\r\n  \u003ctr\u003e\r\n    \u003cth\u003eSample Rate\u003c\/th\u003e\r\n    \u003cth\u003eAnalog\u003c\/th\u003e\r\n    \u003cth\u003eSPDIF\u003c\/th\u003e\r\n    \u003cth\u003eADAT\u003c\/th\u003e\r\n    \u003cth\u003eTotal In\/Out\u003c\/th\u003e\r\n  \u003c\/tr\u003e\r\n  \u003ctr\u003e\r\n    \u003ctd\u003e44.1\/48 kHz\u003c\/td\u003e\r\n    \u003ctd\u003e8\/8\u003c\/td\u003e\r\n    \u003ctd\u003e2\/2\u003c\/td\u003e\r\n    \u003ctd\u003e8\/8\u003c\/td\u003e\r\n    \u003ctd\u003e18\/18\u003c\/td\u003e\r\n  \u003c\/tr\u003e\r\n  \u003ctr\u003e\r\n    \u003ctd\u003e88.2\/96 kHz\u003c\/td\u003e\r\n    \u003ctd\u003e8\/8\u003c\/td\u003e\r\n    \u003ctd\u003e2\/2\u003c\/td\u003e\r\n    \u003ctd\u003e4\/4\u003c\/td\u003e\r\n    \u003ctd\u003e14\/14\u003c\/td\u003e\r\n  \u003c\/tr\u003e\r\n  \u003ctr\u003e\r\n    \u003ctd\u003e176.4\/192 kHz\u003c\/td\u003e\r\n    \u003ctd\u003e8\/8\u003c\/td\u003e\r\n    \u003ctd\u003e2\/2\u003c\/td\u003e\r\n    \u003ctd\u003e2\/2\u003c\/td\u003e\r\n    \u003ctd\u003e12\/12\u003c\/td\u003e\r\n  \u003c\/tr\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003ch2\u003eSound Quality\u003c\/h2\u003e\r\n\r\n\u003cp\u003eEquipped with a new 2011 A\/D and D\/A high-performance converter design, all I\/Os operate at up to 192 kHz. The AD\/DA conversion supersedes the outstanding technical specifications of the Fireface UC\/400 with an impressive 115 dBA dynamic range on both record and playback.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe advanced multi-bit converter architecture guarantees excellent S\/N and THD specs across a wide analogue level range. In the best RME tradition and product philosophy the UCX converters and preamps don’t produce “sound”, they do not add or remove anything from the source signal, just capture it as it is.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDue to its efficient jitter reduction, RME’s superior SteadyClockTM  finalizes the state-of-the-art AD\/DA conversion, even when clocking to an external digital source.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eLow Latency Converters\u003c\/h2\u003e\r\n\r\n\u003cp\u003eAll analogue I\/Os provide a low latency converter design with impressive 14 samples for the ADC, and 7 samples for the DAC, independent of the used sample rate.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThese values are about a quarter of those from the Fireface UC\/400 (43\/28), and even out-perform much more expensive devices. A technical breakthrough that reduces the overall latency of timing critical applications, in live situations and in the computer-based recording studio. The converter latency is so low (0.4 ms at 48 kHz) that it can be ignored, turning analog digital monitoring into real analog-style monitoring!\u003c\/p\u003e\r\n\r\n\u003ch2\u003eProfessional Level Support\u003c\/h2\u003e\r\n\r\n\u003cp\u003eA great converter needs to support the common studio levels for the perfect adaptation to other analog equipment without loosing headroom. Like all other RME devices the UCX supports the common professional studio levels: -10 dBV, +4 dBu, Lo \/ HiGain. The software-controlled reference levels, realised discretely in the analog domain, ensure highest dynamic range and fidelity.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eInputs 3 to 8:\u003c\/b\u003e -10 dBV, +4 dBu and Lo Gain (adjustable in TotalMix in two groups – channels 3\/4 and 5 to 8).\u003cbr\u003e \r\n\u003cb\u003eOutputs 1 to 6:\u003c\/b\u003e -10 dBV, +4 dBu and Hi Gain.\u003cbr\u003e\r\n\u003cb\u003ePhones\/line out 7\/8:\u003c\/b\u003e -10 dBV, +4 dBu and Hi Gain.\u003cbr\u003e\r\nThe phones output (channels 7\/8) can be set to a different reference as channels 1 to 6.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eMicrophone Preamps - Digitally controlled . with AutoSet\u003c\/h2\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eQuality over quantity\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe crown jewels of the UCX are the two high-end mic and instrument preamps – built right into the front.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLike in the UFX both preamps use the core technology from RME’s Micstasy - a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The outstanding preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfectly flat frequency response that lets these preamps surpass those of other devices costing several times the price of the UCX. A premium solution for transmitting and amplifying any audio source truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe digitally controlled gain of up to 65 dB, adjustable in steps of 1 dB over a range of 55 dB, is individually set for each preamp with the encoder knob on the front or in TotalMix FX on the host computer. All level settings are 100% reproducible and can also be adjusted using a MIDI remote controller.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEach channel can be individually switched to 48V phantom power. LEDs for signal, clip and activated phantom power give a complete overview on the unit’s status.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe two TRS inputs on the front can operate alternatively as Hi-Z inputs. Directly plug in up to two guitars or other instruments - no other hardware is required.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eAutoSet\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe UCX offers a unique RME feature which was previously available only in the high-end microphone preamp Mistasy and the UFX.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUsually a limiter is used during the recording to prevent clipping of the A\/D converter stage. But analog processing would not only spoil the excellent technical specifications of the UCX mic preamps but also alter the original sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThanks to the completely digitally controlled gain the UCX can reduce the gain automatically, thus providing perfect protection from overload with no degradation of the audio signal, which does not have to pass any additional electronic circuitry. Additionally AutoSet does not cause any of the control noises known from usual limiters. SNR and THD stay completely unchanged.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExample: In a recording session, the recording engineer asks the vocalist or guitarist to sing or play a reference part and sets the UCX preamp gain to an unusual high level (e. g. 50 dB). AutoSet will automatically reduce the gain when the level reaches -6 dBFS. The reduction is done in a musical way, based on the intensity and duration of the input signal. Manual gain adjustment becomes obsolete most of the time, but the gain can still be set manually. AutoSet can be switched on for each of the 4 front panel mic and instrument preamp channels individually.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eHammerfall X-Core - USB + FireWire Made by RME\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWith the release of the Fireface 800 in 2004 RME stirred up the FireWire audio market, setting the benchmarks and providing a superior solution with a unique feature set. It is no surprise many customers and testers respect RME as the reference and technology leader for FireWire audio interfaces. In 2009 RME released the Fireface UC, a pioneering USB solution which again provided an exceptional performance, previously not available from USB audio interfaces. RME once again became the technology leader from the start.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe secret of success: RME is the only manufacturer not to use a third party USB or FireWire audio technology, but an own, self-developed Hammerfall Audio Core with an outstanding performance and uncompromised pro audio features.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRME integrated the latest and most sophisticated version of RME’s bus technology, the Hammerfall X-Core - combining both, USB 2.0 and FireWire - within one half-rack sized interface.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUSB 2.0. Like other RME USB 2.0* interfaces the Fireface UCX has been optimised for highest performance under Windows and Mac OS. It uses a special customised firmware for each operating system, and provides revolutionary ultra-low latencies even with multiple channels.\u003c\/p\u003e\r\n\r\n\u003cp\u003e* The Fireface UCX is compatible to USB 3 chipsets.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFireWire. The completely redesigned Hammerfall FireWire technology of the X-Core provides the UCX with the same exceptional compatibility and performance as RME’s USB solution. The UCX does not have any FireWire chip inside – the complete bus technology is programmed into the FPGA and remains under direct control of the RME masterminds. If ever necessary, it can be updated anytime by a simple firmware update.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eClass Compliant Mode\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe Fireface UCX is the first professional audio interface with the option to be used as Class Compliant interface. It then works without a driver as audio\/MIDI interface on several operating systems, and with Apple’s iPad and iPad2 (Camera Connection Kit required). The UCX provides the iPad with the professional analogue I\/O connections it lacks. Superb microphone preamps with EQ, dynamics, AutoSet, in addition to professional balanced line outputs, and a hi-power headphone output. Plus level adjustments, reverb, echo, zero latency monitoring. All of this digitally via USB - which means no limitation in quality.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eTotalMix FX - Built-in high-end hardware mixer\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe UCX provides the complete effects engine from the UFX - all effects are available at all sample rates.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe DSP-based TotalMix mixer allows fully independent routing and mixing of all 18 input and playback channels to all 18 physical outputs. Up to 9 totally independent stereo submixes plus a comprehensive Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd there is more: The latest generation of TotalMix delivers hardware mixing\/routing with lots of new features and a highly improved usability. For a seamless integration of the new features TotalMix FX has been rewritten from the ground up.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEvery input and output channel comes with a luxury feature set, comparable to a full-scale digital console. The effects per channel include 3-band parametric EQ, adjustable Low Cut, Auto Level, Compressor, Expander, MS Processing and phase reversal. The Reverb and Echo effects unit is available for all channels by a stereo send and return bus. The UCX easily surpasses the competition by offering all these effects even at 192 kHz operation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo DSPs ensure an impressive performance even in extreme applications. As usual with RME, TotalMix is available with all channels at all sample rates, completely unlimited. The second DSP calculates the effects only, therefore has sufficient resources. For example, at 48 kHz 36 EQs, 36 Low Cuts, 26 Compressors and Echo can be activated. With activated Reverb and Echo still 36 EQs, 36 Low Cuts and 16 Compressors are available.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX-DSP uses automatic overload surveillance. As soon as no effect can be added anymore the TotalMix surface will clearly signal this condition. When changing to higher sample rates the UFX automatically deactivates all effects that exceed the DSP’s performance - the DSP will never be overloaded. This also prevents the user from destroyed loudspeakers.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe complete effects section not only adds a lot of flexibility to the recording chain, but makes latency burdened software dispensable. TotalMix can easily replace any external mixer, e.g. to create different latency- free monitoring mixes with EQ and Reverb for the main studio monitors and the headphone of the vocalist(s) in the recording room.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFurthermore the DSP hardware calculates RMS and Peak levels for all 54 level meters, so there is zero CPU load on the host.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe main functions of TotalMix can be remote controlled via MIDI with any Mackie Control compatible controller.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eIntegrated Monitoring Controller with the optional RME Basic or Advanced Remote Control\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThanks to the multi-functional rotary encoder the UCX is not only a perfect desktop level controller for the main monitors and phones. The integrated TotalMix FX high-end mixer provides an impressive set of monitoring control features for modern Mix-In-the-Box studios or live mixing sessions. Among them Dim, source selection, monitor switching, integrated Talkback, a flexible CUE setup, Mute and Mute FX, Mono and much more.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn contrary to a 3rd party external monitoring controller the built-in UCX solution preserves the original sound, as its hardware outputs stay directly connected to the studio monitors, avoiding another device with a possible signal alteration in the signal path.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe flexibility of RME’s DSP-driven TotalMix FX monitoring tool set is impressive: any physical output can be assigned to the directly knob-controlled monitor outputs (Main out, Speaker B, Phones 1, 2 ...). Just assign the SPDIF output as Speaker B or as Phones Out - any output can be used. The functions Talkback, Listenback, Mono and Dim will work automatically for the assigned outputs in the expected way. CUE mixes can be sent to a predefined output, an external input can be assigned and monitored with a simple click. Convenience for any studio or live situation at its best.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe UCX provides an integrated connector on the back for RME’s remote controls.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe optional Basic Remote Control provides one big wheel dial, a button for level storage\/recall, and a freely programmable button for nearly all TotalMix FX functions.\u003cbr\u003e\r\nThe optional Advanced Remote Control (ARC) adds 6 freely programmable buttons with LEDs to the feature set. Just assign all frequently used TotalMix functions to these buttons.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBoth remotes come with a flexible, 5 m (16 ft.) long cable.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":33734295093381,"sku":"FIREFACEUCX","price":1075.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/FIREFACEUCX1.jpg?v=1587203008"},{"product_id":"rme-fireface-802","title":"RME Fireface 802","description":"\u003cp\u003eThe Fireface 802 renews RME’s reputation which has been built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for this feature heavy interface:\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eUltra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance.\u003c\/li\u003e\r\n\u003cli\u003eActive jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RME’s unique DIGICheck metering and analysis toolbox, and identical operation on Windows PC and Mac.\u003c\/li\u003e\r\n\u003cli\u003eTotalMix FX, RME’s digital high-end mixer and signal router, driven by two powerful DSPs, with integrated EQ, Dynamics and Reverb\/Echo effects at up to 192 kHz, plus a built-in monitoring controller.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eThe full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME’s app to fully control the 802 from the iPad, without any computer. The easy to use app includes metering for all 90 channels plus effects bus, different setup screens, and complete control of all features.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Fireface 802 is a highly integrated pro audio solution, a full-blown studio, all within a 19” enclosure. An interface designed for users who don’t want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivalled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eInputs and Outputs\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe Fireface 802 provides 60 channels of audio: 30 input and 30 output channels. All inputs and outputs can be used at the same time. Up to 12 analog and 18 digital channels can be recorded onto 30 tracks separately.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAvailable I\/Os (channels) with various sample rates:\u003c\/p\u003e\r\n\r\nSample Rate\tAnalogue\tAES\/EBU\tADAT\tTotal I\/O\r\n44.1\/48 kHz\t12\/12\t2\/2\t16\/16\t30\/30\r\n88.2\/96 kHz \t12\/12\t2\/2\t8\/8\t22\/22\r\n176.4\/192 kHz \t12\/12\t2\/2\t4\/4\t18\/18\r\nBack to top\r\n \r\n\r\nAnalog I\/O\r\n\r\nBack:\r\nInputs 1-8 (TRS - balanced)\r\nOutputs 1-8 (TRS – balanced)\r\n\r\nFront:\r\nInputs: 9-12 (XLR\/TS Combo – balanced\/unbalanced)\r\nOutputs: 9\/10, 11\/12 - Phones (TRS - Stereo, unbalanced)\r\n\r\nThe Fireface 802 has 12 analog I\/Os.\r\n\r\n12 Inputs: 8 balanced TRS on the back and 4 XLR inputs with Mic\/Instrument preamps on the front.\r\n\r\n12 Outputs:  On the rear: 8 balanced TRS. On the front: Two hi-power TRS stereo phones outputs provide high volumes even with hi-impedance headphones (playback channels 9\/10 and 11\/12).\r\n\r\nSound Quality: Like other RME products before the Fireface 802 combines excellent analog circuit design with latest digital conversion technology. All balanced TRS \u0026amp; XLR I\/Os as well as the two phones outputs offer outstanding low noise and distortion values. In best RME tradition and product philosophy converters and preamps don’t produce “sound”, they do not add or remove anything from the source signal, just capture it as it is.\r\n\r\nEquipped with the latest A\/D and D\/A converter chips, all I\/Os operate at up to 192 kHz and reach 118 dBA dynamic range on playback - even both headphone outputs. Their high power technology delivers high volume no matter if high or low impedance phones are used.\r\n\r\nDue to its efficient jitter reduction, RME’s superior SteadyClock guarantees state-of-the-art AD\/DA conversion, even when clocking to an external clock source.\r\n\r\nEvery input and output is individually switchable to these common professional studio levels: -10 dBV, +4 dBu, HiGain (equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale).\r\n\r\nAll outputs can be used for ASIO Direct Monitoring (ADM) purposes. \r\n \r\n\r\nRME Fireface 802 Front Panel\r\n \r\n\r\nPreamps: for Microphones and Instruments with Low Latency Conversion. The 802 has four high-transparency preamps with four low latency converters.\r\nMicrophone and instrument preamps of the 802 use the classic technology of the OctaMic II, a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The symmetrical preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response. A premium solution for transmitting and amplifying any audio input truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.\r\n\r\nThe pot-controlled gain of up to 60 dB, adjustable over a range of 54 dB, is individually set for every preamp on the front of the 802.\r\n\r\nThe four inputs on the front use balanced XLR\/TS combo sockets and operate alternatively as Hi-Z inputs. Directly plug in up to four guitars or other instruments - no other hardware required.\r\n\r\nEach channel can be individually switched to 48V phantom power or instrument mode. LEDs for signal, clip, TS operation and activated phantom power provide overview on the unit's status.\r\n\r\nThe Fireface 802 follows RME's tradition of providing flexible and expandable audio systems. Adding additional preamplifiers or more analog inputs is easily done via the dual ADAT optical I\/Os on the rear.\r\n\r\n Back to top\r\n \r\nDigital I\/O\r\n\r\nRME Fireface 802 Back Panel\r\n\r\nAES\/EBU: The Fireface 802 has one professional AES\/EBU I\/O operating at up to 192 kHz.\r\n\r\nADAT: Two 8-channel ADAT I\/Os allow for a connection of two additional AD\/DA converters or the insertion of effects devices and mixing consoles. Both I\/Os support sample rates at up to 192 kHz (S\/MUX4). Like AES\/EBU, these 16 ADAT channels are available simultaneously with the analog channels. Using two external converters like the ADI-8 QS, the 802 will provide 28 analog inputs and outputs, 20 with a sample rate of 96 kHz, and still 16 at 192 kHz.\r\n\r\nSPDIF: The second ADAT I\/O can be used as optical SPDIF I\/O, making the UFX connections even more flexible.\r\n\r\nWord Clock \u0026amp; MIDI: A word clock input and output (BNC) with switchable termination and a MIDI I\/O complete the list of connections, turning the Fireface 802 into a professional audio system with universal usability.\r\n\r\nBack to top\r\n\r\n \r\n\r\nTotalMix FX\r\n\r\nThe DSP based TotalMix mixer allows fully independent routing and mixing of all 30 input and 30 playback channels to all 30 physical outputs. Up to 15 totally independent stereo submixes plus a luxury Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.\r\n\r\nEvery input and output channel comes with a luxury feature set, comparable to a full-scale digital console. The effects per channel include 3-band parametric EQ, adjustable Low Cut, Auto Level, Compressor, Expander, MS Processing and phase reversal. The Reverb and Echo effects unit is available for all channels by a stereo send and return bus. The Fireface 802 offers all these effects in all sample rates, including 192 kHz.\r\n\r\nThe two DSPs ensure an impressive performance even in extreme applications. As usual with RME, TotalMix is available with all channels (90) at all sample rates, completely unlimited. The second DSP calculates the effects only, therefore has sufficient resources. For example, at 48 kHz 60 EQs, 40 Low Cuts, 8 Dynamics, Reverb and Echo can be activated.\r\n \r\nThe FX-DSP uses automatic overload surveillance. As soon as no effect can be added anymore the TotalMix surface will clearly signal this condition. When changing to higher sample rates the 802 automatically deactivates all effects that exceed the DSP's performance - the DSP will never be overloaded. This also prevents the user from destroyed loudspeakers.\r\n\r\nThe complete effects section not only adds a lot of flexibility to the recording chain, but makes latency burdened software dispensable. TotalMix can easily replace any external mixer, e.g. to create different latency-free monitoring mixes with EQ and Reverb for the main studio monitors and the headphone of the vocalist(s) in the recording chamber.\r\n\r\nBack to top\r\n\r\n \r\n\r\nDifferences to Fireface 800 TotalMix:\r\n\r\nNew look with improved usability\r\nDedicated Control Room section for the main output (e. g. studio monitors) and other monitoring outputs (e. g. phones). All existing stereo output channels can be freely assigned as source for the control room section channels.\r\nFour definable groups for Solo, Mute and Faders\r\nSwitchable Mono and Stereo channel view\r\nChannel Options: Stereo Width, MS Processing, Phase L\/R\r\nTrim mode: Adjusts the volume for all routed signals of a channel simultaneously, equalling a hardware's trim functionality as well as a Post-FX Send function.\r\nUnlimited Undo and Redo\r\nFX Sends and Returns: One send bus for every input\/playback channel with Reverb\/Echo\r\nExpandable channel view for channel settings, EQ and Dynamics\r\nSlim channel mode for selected or all channels, to save space or give a meter bridge view\r\n2 Row Mode: reduces the height of the mixer to two rows for smaller displays\r\nReworked Matrix with mono\/stereo mode, Undo\/Redo, display of phase and mute\r\nThe DSP calculates RMS and Peak levels for all 90 audio channels with zero CPU load\r\n\r\nMost functions of TotalMix can be remote controlled via MIDI with any Mackie Control compatible controller. TotalMix FX also supports OSC and the usage of multiple remotes.\r\n\r\nBack to top\r\n\r\n \r\n\r\nMonitor Controller\r\n\r\nThe Fireface 802 is not only a perfect desktop level controller, but a monitor switcher and source selector with integrated talkback function for modern Mix-In-the-Box studios. As the 802 includes the usually externally added monitoring controller, it also preserves the original sound, as its hardware outputs stay directly connected to the studio monitors.\r\n\r\nARC - (Advanced Remote Control) \r\nMonitoring Management: Any hardware output can be assigned as Main or Phones output. Talkback, Listenback, Mono, Dim, Recall and External Input will then work automatically and as expected on the assigned outputs.\r\n\r\nAdvanced Remote Control:The 802 has a connector for the optional Advanced Remote Control, offering direct access to Volume, DIM, Store, Recall, Mono, Talkback, External Input and much more. Its keys can be also be reprogrammed with individual commands.\r\n\r\nUSB \u0026amp; FireWire\r\n\r\nWith the release of the Fireface 800 in 2004 RME stirred up the FireWire audio market, setting the benchmarks and providing a superior solution with a unique feature set. It is no surprise many customers and testers see RME as reference and technology leader for FireWire audio interfaces. In 2009 RME released the Fireface UC, a USB solution which again provided an exceptional performance, previously not available from USB audio interfaces, once more becoming the technology leader.\r\n\r\nThe secret of success: RME is the only manufacturer not to use a third party USB or FireWire audio technology, but an own, self-developed audio interface core with outstanding performance and uncompromised pro audio features.\r\n\r\nLike already known from the Fireface UCX and UFX (and indeed using the same matured driver family) the Fireface 802 combines USB 2.0 and FireWire 400 within one interface.\r\n\r\nUSB 2.0: The Fireface 802 has been uncompromisingly optimized for highest performance under Windows and Mac OS. It uses customized firmwares for every operating system. Like Fireface UCX and UFX, the 802 provides revolutionary ultra-low latencies* even with multiple channels, comparable to those of PCI and PCI-Express solutions.\r\n\r\n* Minimal latencies are not guaranteed as they depend on the specific computer and application.\r\n\r\nFireWire: RME's FireWire core offers exceptional compatibility at highest performance. 10 years of experience with FireWire guarantee optimal and undisturbed operation with any computer having a FireWire port.\r\n\r\nBack to top\r\n\r\n\r\n\r\nMore Features\r\n\r\nSteadyClock: RME's unique jitter suppression technology guarantees perfect sound quality throughout, making the device completely independent from the quality of external clock signals. Due to the highly efficient jitter reduction, the UFX converters operate independently from the quality of the external clock signal, as if they are working with internal clock all the time - guaranteeing a pristine sound quality!\r\n\r\nSteadyClock allows the Fireface 802 to control the sample rate freely on its own. The settings dialog includes a direct choice of the video and audio world's most often used sample rates.\r\n\r\nICC: Intelligent Clock Control not only displays every clock status, but will also retain the last valid input sample rate in case of failure of the external source. Other renowned RME technologies like SyncCheck offer a quick detection of clock problems.\r\n\r\nDIGICheck: The 802 comes with RME´s unique software tool box for metering, testing, measuring and analysing digital audio streams. It provides a multi-track recorder, calculates the level meters peak and RMS in hardware, and analyses and displays audio in multiple ways, like stereo, multichannel, all channels, surround, spectral, and many more.\r\n\r\nPower supply: The specially developed, internal hi-performance switch mode power supply lets the UFX operate in the range of 100V to 240V AC, thus can be operated all over the world. It is short-circuit proof, has an integrated line-filter, is fully regulated against voltage fluctuations, and suppresses mains interference.\r\n\r\nStand Alone Operation with Setup Recall: The Fireface 802 can be set up and configured directly via iPad, MIDI remote and ARC. Additionally 6 memory slots are present where the current configuration can be stored permanently. This way the 802 operates independently from a computer. In stand-alone operation it can turn itself into different devices by the simple push on a button.","brand":"RME","offers":[{"title":"Default Title","offer_id":33734300827781,"sku":"FIREFACE802","price":1343.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/FIREFACE8021.jpg?v=1587203037"},{"product_id":"rme-babyface-pro","title":"RME Babyface Pro","description":"\u003ca href=\"http:\/\/synthax.co.uk\/RME-5-Year-Warranty\"\u003e\u003cimg src=\"http:\/\/synthax.co.uk\/sites\/default\/files\/Products\/RME\/RME%205YW%20Product%20Page%202.jpg\" alt=\"RME 5 Year Warranty\"\u003e\u003c\/a\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eReengineered, not remastered\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003ch2\u003e24-Channel 192 kHz bus-powered professional USB 2.0 Audio Interface\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe exciting new Babyface Pro once again demonstrates RME’s absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCreated with the highest precision from a block of aluminum, this high-end yet portable interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eProgressive Interface\u003c\/h2\u003e\r\n\r\n\u003cp\u003eFor the main I\/O RME have designed a completely new XLR socket, which integrates seamlessly into the housing and saves space. The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo digitally controlled preamps provide individually switchable 48V phantom power. These brand new circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBabyface Pro’s incredibly efficient design almost never requires an external power supply – it’s perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe comprehensive feature set continues with an optical TOSLINK I\/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro’s jack inputs 3 \u0026amp; 4. Record your guitar on the go, with no additional hardware required. MIDI I\/O via an included breakout cable completes the package.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eProfound Technology\u003c\/h2\u003e\r\n\r\n\u003cp\u003eBabyface Pro ships with RME’s TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in every situation. You can do something as simple as mixing together your guitar and vocal to headphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also onboard.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLatest generation low latency AD\/DA converters, combined with RME’s unique SteadyClock technology, result in exceptional specifications that will satisfy the most demanding of professionals.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCombining a huge feature set with sonic excellence and intuitive control, whether for the studio or on the move, the RME Babyface Pro is the most comprehensive and versatile compact audio interface ever built.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cb\u003eFPGA Chip\u003c\/b\u003e - A field-programmable gate array (FPGA) is an integrated circuit designed to be configured by a customer or a designer after manufacturing.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eClass Compliant\u003c\/b\u003e - The Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OS X, Linux distributions, and hardware like Apple’s iPad. No proprietary drivers are required, the device will be directly recognized.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eSteadyClock\u003c\/b\u003e - Due to the highly efficient jitter reduction, the converters operate as if they are working with internal clock all the time - guaranteeing a pristine sound experience!\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eTotalMix FX\u003c\/b\u003e - TotalMix FX is RME’s superior hardware mixer. It delivers fully flexible mixing\/routing with many superior features for studio and live work, still maintaining exemplary overview and usability.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch2\u003eProfessional Features\u003c\/h2\u003e\r\n\r\n\u003cp\u003eStraight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEven in stand-alone mode, routing and mixing of inputs to outputs directly on the device opens a whole world of possible applications.\u003c\/p\u003e\r\n\r\n\u003cimg src=\"http:\/\/babyface.rme-audio.de\/images\/peak.gif\" alt=\"RME Babyface Pro VU Meters\"\u003e\r\n\r\n\u003ch2\u003eConnectivity\u003c\/h2\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e12 Input and 12 Output channels\u003c\/li\u003e\r\n\u003cli\u003e4 x Analog Inputs (Mic, Line, Instrument)\u003c\/li\u003e\r\n\u003cli\u003e4 x Analog Outputs (2 x XLR, 2 x Phones)\u003c\/li\u003e\r\n\u003cli\u003e1 x ADAT I\/O or 1 x SPDIF I\/O optical\u003c\/li\u003e\r\n\u003cli\u003e1 x MIDI I\/O\u003c\/li\u003e\r\n\u003cli\u003e1 x USB 2.0 (USB 3 compatible)\u003c\/li\u003e\r\n\u003cli\u003eDigital Gain control on all inputs\u003c\/li\u003e\r\n\u003cli\u003eSeparate outputs for high and low impedance headphones\u003c\/li\u003e\r\n\u003cli\u003eTotalMix FX (with EQ, Reverb, Delay)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":33734685491333,"sku":"BABYFACEPRO","price":671.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/BABYFACEPRO1.jpg?v=1587205132"},{"product_id":"alesis-asp-1-universal-keyboard-sustain-pedal","title":"Alesis ASP-1 Universal Keyboard Sustain Pedal","description":"\u003ch2\u003eYour favorite keyboard, now with more sustain\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe Alesis ASP-1 is a universal sustain pedal with a polarity switch that expands the expressive control of any electronic keyboard. This low-profile, momentary pedal is built to perform and comes in a compact, simple design that’s suited for the stage or studio. The fast-acting sustain mechanism provides an immediate response, and the ASP-1 comes ready with an attached 1\/4” plug for out-of-the-box use. A non-slip bottom secures the pedal in place.\u003c\/p\u003e","brand":"Alesis","offers":[{"title":"Default Title","offer_id":33734692012165,"sku":"521ASP1","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/521ASP11.jpg?v=1587205160"},{"product_id":"ld-systems-hpa4-headphone-amplifier-4-channel","title":"LD Systems HPA4 Headphone Amplifier 4-Channel","description":"\u003ch2\u003eA compact and powerful headphone amplifier\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe LD Systems LDHPA4 has small dimensions, can handle up to 4 headphones and has an output power with no equal in its class. That means high volume with no distortion. With these features the LDHPA4 is an essential tool for every project- and home studio.\u003c\/p\u003e","brand":"LD Systems","offers":[{"title":"Default Title","offer_id":33734845104261,"sku":"502HPA4","price":49.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/502HPA41.jpg?v=1587206099"},{"product_id":"m-audio-bx8-d3-single","title":"M-Audio BX8 D3 (Single)","description":"\u003ch2\u003eWhy you need a studio monitor\u003c\/h2\u003e\r\n\r\n\u003cp\u003eA studio monitor is no ordinary loudspeaker. Unlike a conventional speaker, a true monitor must be unerringly accurate, with a flat frequency response and vanishingly low distortion. It has to tell you, the music producer - dependably and unquestionably - exactly what is or is not in your recording. In a studio-grade monitor speaker, there is no place for the usual list of speaker colourations and limitations prevalent in conventional loudspeakers. Response peaks\\dips, uneven polar response, high THD, nasal midrange, bloated mid-bass, and crossover-induced phase incoherence do nothing but undermine the confidence demanded for superior mix performance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIntroducing M-Audio’s BX8-D3 monitors - the return of a studio icon and the successor to the industry-renowned BX D2 monitors. Trusted by recording\/mix engineers and composers globally, M-Audio’s BX monitors guarantee absolute surgical precision and repeatable engineering excellence.\u003c\/p\u003e\r\n\r\n\u003cp\u003eListen with confidence: with M-Audio’s BX8-D3 studio reference monitors, you’ll hear everything in lifelike detail, so your mixes and recordings will sound their best!\u003c\/p\u003e\r\n\r\n\u003ch2\u003eMonitor Performance Starts with Driver Excellence\u003c\/h2\u003e\r\n\r\n\u003cp\u003eA monitor’s drivers are the heart and soul of its performance. Driving the low-end and midrange, BX8-D3’s 8-inch military-grade Kevlar® woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted “cone breakup.” BX8- D3’s treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eMore Than Just an Enclosure\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWith M-Audio’s BX8-D3, every detail has been meticulously engineered with one goal in mind - to facilitate the freedom to mix with confidence. BX8-D3 monitors have a rear- mounted bass port, meticulously engineered to the exact length and diameter. The result? Deep, defined bass response with maximum bass extension and resolution. When combined with a smoothly-flared port, BX8-D3 monitors markedly reduce the audibly intrusive air turbulence that results when bass is played back at high sound pressure levels (SPLs). BX8-D3’s tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency “scatter,” whilst ensuring a soundstage that remains consistently wide and stable. For seamless setup and easy-location of the optimum listening position, the BX8-D3’s front-mounted positioning LED shines brightly when you’re located in the perfect listening spot, for uncompromisingly accurate and reliable critical evaluations. Finally, BX8-D3’s iconic design on the front panel - M-Audio’s famous “keyhole” shape - is more than just an attractive look: This special “fastenerless” design ensures so there are no driver attachment screw heads to interfere with the sound coming from our drivers.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eHigh-Current, High Headroom Class A\/B Bi-Amplified Power\u003c\/h2\u003e\r\n\r\n\u003cp\u003eEfficient and accurate: Driving the BX8-D3 monitors are two Class A\/B internal amplifiers that power the woofer and tweeter separately - each optimised for the specific frequency range it handles and engineered to complement the characteristics of its companion driver. A precision-tuned crossover guarantees each driver only handles the frequencies that it produces most efficiently for a sound that is cohesive across the entire frequency spectrum. Play louder with less audible distortion: The BX8-D3 bi-amplified design is a far more efficient and accurate way to power a loudspeaker than using a single full-range amplifier to drive multiple driver elements.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eTailor-Made Sound\u003c\/h2\u003e\r\n\r\n\u003cp\u003eM-Audio understand no two listening spaces are the same. Therefore, the BX8- D3 monitors custom tailors your sound to your environment, so you will always experience sonically-true, reassuringly-accurate sound reproduction. Negate problematic bass frequencies and limit the impact of nuisance standing waves thanks to BX8-D3’s special Acoustic Space control for precise adjustment of BX8-D3’s sound output in line with your studio space.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eConnectivity Covered\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWhatever your needs, the BX8-D3 Studio monitors guarantee to assimilate into your existing setup with ease. Combining conveniently-located, rear-mounted XLR and 1\/4- inch balanced inputs, BX8-D3 connects to virtually all studio equipment including audio interfaces, mixers, DJ gear and more.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eIt’s Far More Than The Sum of Its Parts\u003c\/h2\u003e\r\n\r\n\u003cp\u003eM-Audio’s BX8-D3 monitors excel in every way, the rightful successor to the original studio icon. Fusing superb drivers, meticulously engineered enclosures, great-sounding amplifiers, versatile control options and standardised connection facilities, BX8-D3 delivers sound quality you can trust.\u003c\/p\u003e","brand":"M-Audio","offers":[{"title":"Default Title","offer_id":33736199766149,"sku":"521BX8D3","price":149.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/521BX8D31.jpg?v=1587212684"},{"product_id":"m-audio-bx5-d3-single","title":"M-Audio BX5 D3 (Single)","description":"\u003ch2\u003eWhy you need a studio monitor\u003c\/h2\u003e\r\n\r\n\u003cp\u003eA studio monitor is no ordinary loudspeaker. Unlike a conventional speaker, a true monitor must be unerringly accurate, with a flat frequency response and vanishingly low distortion. It has to tell you, the music producer - dependably and unquestionably - exactly what is or is not in your recording. In a studio-grade monitor speaker, there is no place for the usual list of speaker colourations and limitations prevalent in conventional loudspeakers. Response peaks\\dips, uneven polar response, high THD, nasal midrange, bloated mid-bass, and crossover-induced phase incoherence do nothing but undermine the confidence demanded for superior mix performance.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eMonitor Performance Starts with Driver Excellence\u003c\/h2\u003e\r\n\r\n\u003cp\u003eA monitor’s drivers are the heart and soul of its performance. Driving the low-end and midrange, BX5-D3’s 5-inch military-grade Kevlar® woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted “cone breakup.” BX5- D3’s treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eMore Than Just an Enclosure\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWith M-Audio’s BX5-D3, every detail has been meticulously engineered with one goal in mind - to facilitate the freedom to mix with confidence. BX5-D3 monitors have a rear- mounted bass port, meticulously engineered to the exact length and diameter. The result? Deep, defined bass response with maximum bass extension and resolution. When combined with a smoothly-flared port, BX5-D3 monitors markedly reduce the audibly-intrusive air turbulence that results when bass is played back at high sound pressure levels (SPLs). BX5-D3’s tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency “scatter,” whilst ensuring a soundstage that remains consistently wide and stable. For seamless setup and easy-location of the optimum listening position, the BX5-D3’s front-mounted positioning LED shines brightly when you’re located in the perfect listening spot, for uncompromisingly accurate and reliable critical evaluations. Finally, BX5-D3’s iconic design on the front panel—M-Audio’s famous “keyhole” shape—is more than just an attractive look: This special “fastenerless” design ensures so there are no driver attachment screw heads to interfere with the sound coming from our drivers.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eHigh-Current, High Headroom Class A\/B Bi-Amplified Power\u003c\/h2\u003e\r\n\r\n\u003cp\u003eEfficient and accurate: Driving the BX5-D3 monitors are two Class A\/B internal amplifiers that power the woofer and tweeter separately - each optimised for the specific frequency range it handles and engineered to complement the characteristics of its companion driver. A precision-tuned crossover guarantees each driver only handles the frequencies that it produces most efficiently for a sound that is cohesive across the entire frequency spectrum. Play louder with less audible distortion: The BX5-D3 bi-amplified design is a far more efficient and accurate way to power a loudspeaker than using a single full-range amplifier to drive multiple driver elements.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eTailor-Made Sound\u003c\/h2\u003e\r\n\r\n\u003cp\u003eM-Audio understand no two listening spaces are the same. Therefore, the BX5- D3 monitors custom tailors your sound to your environment, so you will always experience sonically-true, reassuringly-accurate sound reproduction. Negate problematic bass frequencies and limit the impact of nuisance standing waves thanks to BX5-D3’s special Acoustic Space control for precise adjustment of BX5-D3’s sound output in line with your studio space.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eConnectivity Covered\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWhatever your needs, the BX5-D3 Studio monitors guarantee to assimilate into your existing setup with ease. Combining conveniently-located, rear-mounted XLR and 1\/4- inch balanced inputs, BX5-D3 connects to virtually all studio equipment including audio interfaces, mixers, DJ gear and more.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eIt’s Far More Than The Sum of Its Parts\u003c\/h2\u003e\r\n\r\n\u003cp\u003eM-Audio’s BX5-D3 monitors excel in every way, the rightful successor to the original studio icon. Fusing superb drivers, meticulously engineered enclosures, great-sounding amplifiers, versatile control options and standardised connection facilities, BX5-D3 delivers sound quality you can trust.\u003c\/p\u003e","brand":"M-Audio","offers":[{"title":"Default Title","offer_id":33736202518661,"sku":"521BX5D3","price":95.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/521BX5D31.jpg?v=1587212691"},{"product_id":"citronic-xu60-xlr-to-usb-adaptor-interface","title":"Citronic XU60 XLR to USB Adaptor Interface","description":"\u003cp\u003eA barrel adaptor with an XLRF at one end and a USB type A plug at the other. Converts a balanced microphone input to digital audio format for use with PC recording software.\u003c\/p\u003e","brand":"Citronic","offers":[{"title":"Default Title","offer_id":33737362505861,"sku":"529173602","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/5291736021.jpg?v=1587217186"},{"product_id":"native-instruments-komplete-kontrol-s61-mk2","title":"Native Instruments Komplete Kontrol S61 MK2","description":"\u003ch2\u003eMADE TO BE PLAYED\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWith the latest generation of KOMPLETE KONTROL, music-making becomes a more intuitive, hands-on experience. Perform expressively, browse and preview sounds, tweak parameters, sketch your ideas, then navigate and mix your project – all from one fully integrated centrepiece for studio and stage.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eFATAR KEYBED\u003c\/h2\u003e\r\n\r\n\u003cp\u003eKOMPLETE KONTROL features industry-leading keybeds from Fatar – available with 49 or 61 semi-weighted keys with aftertouch.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eHIGH-RESOLUTION COLOUR DISPLAYS\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWhether browsing for sounds, tweaking parameters, or sketching ideas, these high-res colour displays keep you focused on creating, not your computer.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eLIGHT GUIDE\u003c\/h2\u003e\r\n\r\n\u003cp\u003eSee sounds, key zones, switches, scales, and more at a glance, with RGB lights above each key.\u003c\/p\u003e\r\n\r\n\u003ch2\u003ePITCH AND MOD CONTROLS\u003c\/h2\u003e\r\n\r\n\u003cp\u003eErgonomic, rubberised pitch and mod wheels, plus assignable touch-sensitive smart strip for expanded creative possibilities.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eEIGHT TOUCH-SENSITIVE KNOBS\u003c\/h2\u003e\r\n\r\n\u003cp\u003ePrecision tweaking for all your sounds – pre-mapped to the most useful parameters of each KOMPLETE and Native Kontrol Standard (NKS) instrument.\u003c\/p\u003e\r\n\r\n\u003ch2\u003e4-DIRECTIONAL PUSH ENCODER\u003c\/h2\u003e\r\n\r\n\u003cp\u003eBrowse sounds and navigate projects quickly and intuitively.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eMASCHINE CONTROL\u003c\/h2\u003e\r\n\r\n\u003cp\u003eGet one-touch access to your Scenes, Patterns, and more in MASCHINE.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eDAW TRANSPORT CONTROL\u003c\/h2\u003e\r\n\r\n\u003cp\u003eGet direct access to transport functions in Logic Pro X, Ableton Live, and GarageBand. Cubase and Nuendo support coming late 2017.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eMORE VISUAL\u003c\/h2\u003e\r\n\r\n\u003cp\u003eTwo high-res colour screens make it easy to browse and preview sounds, tweak controls, and mix and edit your projects – right from the hardware.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eMORE INTUITIVE\u003c\/h2\u003e\r\n\r\n\u003cp\u003eGet hands-on with your production process, thanks to an improved layout with more dedicated function buttons and a new four-directional push encoder.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eMORE EXPRESSIVE\u003c\/h2\u003e\r\n\r\n\u003cp\u003eKOMPLETE KONTROL S49 and S61 now sport ergonomic pitch and mod wheels, plus a touch strip for expanded creative possibilities.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eMORE INTEGRATION\u003c\/h2\u003e\r\n\r\n\u003cp\u003eMix, edit, and more in MASCHINE, Logic, Ableton Live, and GarageBand. Advanced functionality for Cubase and Nuendo coming late 2017.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eIMMERSIVE VISUAL FEEDBACK\u003c\/h2\u003e\r\n\r\n\u003cp\u003eSee everything you need, when you need it, where you need it: Two high-res colour screens provide essential information on sounds and projects, backlit function buttons vary in colour and intensity to indicate their state, and the precision Light Guide pinpoints the location of sounds, key zones, switches, scales, and more.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eFIND YOUR SOUNDS FASTER\u003c\/h2\u003e\r\n\r\n\u003cp\u003eFinding the right sound amongst a sprawling sound library can be difficult, not to mention time consuming. Now you can find exactly what you’re looking for across all KOMPLETE and Native Kontrol Standard (NKS) instruments using a simple, intuitive tagging system – directly from the hardware. What’s more, you can hear an instant preview of each sound as you browse.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNeed a hip hop kit? Select Drums \u0026gt; Urban Drum Kit \u0026gt; Sample-based, scroll through the presets and pick the right one for your track. If you really like what you hear, just tag it as a Favourite for instant access next time.\u003c\/p\u003e\r\n\r\n\u003ch2\u003ePRE-MAPPED AND READY TO PLAY\u003c\/h2\u003e\r\n\r\n\u003cp\u003eAll of your KOMPLETE and NKS instruments are pre-mapped to the KOMPLETE KONTROL hardware by the people who know them best – the instrument designers themselves. All essential parameters load instantly and are displayed across the two colour displays, intuitively divided into pages. That means you can see exactly what you’re adjusting in real time – whether it’s in kHz, dB, or BPM.\u003c\/p\u003e\r\n\r\n\u003ch2\u003ePRO PERFORMANCE\u003c\/h2\u003e\r\n\r\n\u003cp\u003eStay-on key, with notes of the currently selected scale or mode lit on the Light Guide. Activate chord mode to create a progression by playing single keys, then switch on the arpeggiator and turn it into an expressive musical performance. And for keyboard novices, Easy Mode maps the white keys to whichever scale you like, so you’ll never hit a wrong note.\u003c\/p\u003e\r\n\r\n\u003ch2\u003ePRECISION PITCH, MOD, AND EXPRESSION\u003c\/h2\u003e\r\n\r\n\u003cp\u003eGet precise control of pitch and mod functions via two ergonomic, rubberised wheels. And the ultra-sensitive touch strip provides a fun, responsive alternative to plugging in a dedicated expression pedal.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eGET HANDS-ON WITH YOUR WORKFLOW\u003c\/h2\u003e\r\n\r\n\u003cp\u003eCapture all your ideas, directly from the keyboard itself: KOMPLETE KONTROL gives you immediate access to transport, mixing, and editing controls in Logic Pro X, Ableton Live, and GarageBand, complete with visual feedback and volume metering on the keyboard’s built-in displays. And with MIDI in \/ out, incorporating outboard gear into your setup is just as simple.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNote: Advanced integration with Cubase and Nuendo will be available via a free update in late 2017.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eINTEGRATION FOR ALL YOUR INSTRUMENTS\u003c\/h2\u003e\r\n\r\n\u003cp\u003eNKS means intuitive control over hundreds of instruments from leading manufacturers – including Heavyocity, Spitfire and Soniccouture. This extended plug-in format allows all developers to define the way their products integrate with NI hardware, so support for powerful features like tag-based browsing, Light Guide feedback, and pre-mapped controls now extends far beyond the KOMPLETE universe. And for VST instruments that haven’t yet been updated to NKS, it’s simple to create your own mappings from KOMPLETE KONTROL software.\u003c\/p\u003e\r\n\r\n\u003ch2\u003e11 INSTRUMENTS AND EFFECTS INCLUDED\u003c\/h2\u003e\r\n\r\n\u003cp\u003eRegister your KOMPLETE KONTROL hardware to download KOMPLETE 11 SELECT for free – the essential collection of instruments and effects, including MASSIVE, MONARK, and THE GENTLEMAN. The package features more than 2,500 sounds and over 25 GB of instruments and effects, giving you the perfect palette of sounds for any genre.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd when you’re ready to expand your collection, you’ll be eligible for a discounted upgrade to \u003ca href=\"\/native-instruments-komplete-11-upg-select.html\"\u003eKOMPLETE 11\u003c\/a\u003e or \u003ca href=\"\/native-instruments-komplete-11-ultimate-upg-select.html\"\u003eKOMPLETE 11 ULTIMATE\u003c\/a\u003e.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWant to start with an expanded collection? Get your discounted package of Native Instruments Komplete Kontrol S61 MK2 plus KOMPLETE 11 \u003ca href=\"\/native-instruments-komplete-11-upg-select.html\"\u003ehere\u003c\/a\u003e or with KOMPLETE 11 ULTIMATE \u003ca href=\"\/native-instruments-komplete-11-ultimate-upg-select.html\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e","brand":"Native Instruments","offers":[{"title":"Default Title","offer_id":33737366700165,"sku":"222KOMS61MK2","price":579.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/222KOMS61MK21.jpg?v=1587217203"},{"product_id":"pioneer-dj-dm-40bt-4-inch-compact-active-monitor-speaker-with-bluetooth-pair","title":"Pioneer DJ DM-40BT 4-inch Compact Active Monitor Speaker with Bluetooth (Pair)","description":"\u003ch2\u003eVERSATILE CONNECTIVITY\u003c\/h2\u003e\r\n\r\n\u003cp\u003eCreate a versatile home set-up that can deliver a rich, balanced sound for producing and DJing. These compact desktop speakers have been designed using professional speaker technology and effortlessly connect to all your Bluetooth® wireless devices.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe DM-40BT comes in black or white and retains its Groove Technology from the highly-reputed DM-40 active monitor speakers. Expect a smooth bass response, a wide sweet spot enabled by DECO technology, clear audio quality and rich bass sound all at the same time.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe DM-40BT speakers are sold as a pair.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eBLUETOOTH® CONNECTION\u003c\/h2\u003e\r\n\r\n\u003cp\u003eBluetooth® technology allows you to play tracks from smartphones and tablets wirelessly, while Qualcomm® aptX™ and AAC support lets you enjoy even higher quality sound reproduction.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eFRONT-LOADED BASS REFLEX SYSTEM\u003c\/h2\u003e\r\n\r\n\u003cp\u003e4-inch fiberglass woofers output a strong, punchy bass from the front, while grooves on the ducts reduce air friction. This way you'll feel a tight bass kick even when the monitors are positioned against the wall.\u003c\/p\u003e\r\n\r\n\u003ch2\u003e3D STEREO SOUND\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe DM-40's ¾-inch soft dome tweeters are fitted with DECO convex diffusers that channel high frequencies in every direction. So you’ll enjoy a wide sweet spot and 3D stereo sound wherever you sit or stand.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eTIME ALIGNMENT\u003c\/h2\u003e\r\n\r\n\u003cp\u003eClass AB amplifiers deliver a crisp sound with low-distortion. Plus the tweeter and woofer are perfectly aligned to eliminate crossover and ensure a well-balanced response across the frequencies.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eSMART DESIGN\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe cabinets' curved front edges provide maximum rigidity and minimum resonance for a clean sound at all volumes - and they'll look good in your home set-up.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eEASE OF USE\u003c\/h2\u003e\r\n\r\n\u003cp\u003eA headphone output and volume knob on the front panel give you flexibility and control, while the RCA and stereo mini jack inputs on the back let you easily connect the speakers to your DJ or production kit.\u003c\/p\u003e","brand":"Pioneer DJ","offers":[{"title":"Default Title","offer_id":33737372172421,"sku":"589DM40BT","price":179.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/589DM40BT1.jpg?v=1587217230"},{"product_id":"native-instruments-komplete-kontrol-a49","title":"Native Instruments Komplete Kontrol A49","description":"\u003ch2\u003eGET HANDS-ON WITH YOUR MUSIC\u003c\/h2\u003e\r\n\r\n\u003cp\u003eMusic-making is at its best when it’s fast, fun, and physical. Find the right sound, make it your own, perform, and capture the results – all from a responsive, semi-weighted keyboard. Complete with four premium instruments plus MASCHINE Essentials, A-Series keyboards come with everything you need to bring your ideas to life.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eFIND YOUR SOUNDS FASTER\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWith hundreds of presets to choose from, finding the right sound can be a chore. With KOMPLETE KONTROL, however, all of your KOMPLETE and NKS presets are intuitively tagged and organised, so finding the right one is fast and easy. What’s more, you can hear a preview of each sound as you browse, without loading individual instruments.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNeed some serious low end? Use the encoders and OLED display to select SYNTH \u0026gt; BASS \u0026gt; SUB BASS, then listen through the presets and load up the right one for your track.\u003c\/p\u003e\r\n\r\n\u003ch2\u003ePRE-MAPPED AND READY TO PLAY\u003c\/h2\u003e\r\n\r\n\u003cp\u003eAll of your KOMPLETE and NKS instruments and effects are pre-mapped to the KOMPLETE KONTROL hardware by the people who know them best – the instrument designers themselves. Essential parameters like envelope controls and filter cutoffs are instantly displayed on the OLED display as you touch the corresponding knob. That means you can see exactly what you’re adjusting in real time – whether it’s in kHz, dB, or BPM.\u003c\/p\u003e\r\n\r\n\u003ch2\u003ePERFORM CREATIVELY\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWith Smart Play, you never need to worry about hitting a wrong note – just pick a scale and play. Activate chord mode to create a rich progression by playing single keys, then switch on the arpeggiator and turn it into an expressive musical performance. And for keyboard novices, Easy Mode maps the white keys to whichever scale you like.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eCAPTURE YOUR IDEAS\u003c\/h2\u003e\r\n\r\n\u003cp\u003eNo matter your setup, A-Series is designed to fit right into your existing workflow, with immediate access to transport, mixing, and editing controls in your favorite DAW. Logic Pro X, GarageBand, and Ableton Live are currently supported, with advanced integration for Cubase and Nuendo coming in a future update to the KOMPLETE KONTROL software. 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Find the right sound, make it your own, perform, and capture the results – all from a responsive, semi-weighted keyboard. Complete with four premium instruments plus MASCHINE Essentials, A-Series keyboards come with everything you need to bring your ideas to life.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eFIND YOUR SOUNDS FASTER\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWith hundreds of presets to choose from, finding the right sound can be a chore. With KOMPLETE KONTROL, however, all of your KOMPLETE and NKS presets are intuitively tagged and organised, so finding the right one is fast and easy. What’s more, you can hear a preview of each sound as you browse, without loading individual instruments.\u003c\/p\u003e\r\n\r\n\u003cp\u003eNeed some serious low end? 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