{"title":"USB MIDI Interfaces","description":null,"products":[{"product_id":"rme-fireface-uc","title":"RME Fireface UC","description":"\u003cp\u003eThe compact Fireface UC has been uncompromisingly optimised for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core the Fireface UC provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUnder both Operating Systems the available latencies* are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance previously not available from USB audio interfaces.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eFeatures\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe new interface not only makes the leading-edge RME Fireface technology available for every PC and Mac computer, it also provides a unique low-latency concept and a high grade of performance and compatibility, making the dream of the perfect and future-proof mobile pro audio recording solution come true.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Fireface UC features all of the proven RME analogue and digital circuitry. It is the only device in its class with active jitter suppression, enhanced stand-alone functionality and complete controllability from the front panel, highly flexible I\/Os in professional quality, and an unsurpassed 648-channel matrix router - at sample rates of up to 192 kHz.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eIntegrated DSP mixer\u003c\/b\u003e -  All inputs and outputs can be freely mixed, routed, and distributed with RME´s TotalMix software. Up to 9 totally independent stereo submixes can be set up. Every output channel, and every submix channel can be recorded directly and without external cable loops. TotalMix can be completely MIDI remote controlled. The DSP-based hardware calculates RMS and Peak levels for all channels, without causing any significant CPU load.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAnalog I\/O\u003c\/b\u003e - Eight analog inputs and outputs (all balanced, except outputs 7\/8) with software controlled reference levels (-10 dBV, +4 dBu, Lo\/HiGain), realised discretely in the analog domain, ensure highest dynamic range and fidelity. Inputs 5 to 8 on the rear feature RME's proven level references, -10 dBV, +4 dBu and Lo Gain can be selected in the settings dialog, equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale. The same applies to the balanced rear analog outputs 1 to 6. The hi-power phones output offers high volumes even with low-impedance headphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003ePreamps\u003c\/b\u003e - The Fireface UC features 2 balanced microphone inputs with a digitally controlled input stage, individually switchable 48V phantom power, and Neutrik Combo connectors for XLR and TRS. These can also be used as additional line inputs. A pre-amplification of up to 65 dB (adjustable in 1 dB-steps over a range of 55 dB), exceptional EIN (Equivalent Input Noise) performance even at low pre amplification settings, and extremely low THD+N let these preamps surpass many reference devices. All level settings are 100% reproducible and can also be comfortably adjusted by software. Inputs 3 and 4 are flexible universal balanced inputs. They operate exactly like inputs 5 to 8 on the rear and can be adjusted to accept standard studio input levels (+4 dBu, LoGain). The input impedance can be switched from line (10 kOhm) to instrument (470 kOhm), and offers an additional analog input amplification of up to 18 dB in steps of 0.5 dB.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eDigital I\/O\u003c\/b\u003e - One ADAT I\/O provides digital connection to mixers and converters. In combination with an ADI-8 DS\/QS or OctaMic II, there are up to 16 analog inputs (respectively 12 @ 96 kHz). The coaxial SPDIF I\/O (up to 192 kHz) is fully AES\/EBU compatible. SPDIF can also be accessed through the optical I\/O.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eWord Clock \u0026amp; MIDI\u003c\/b\u003e - A Word Clock input and output plus two MIDI I\/Os (special breakout cable included) complete the list of features and turn the Fireface UC into an entire audio system of the highest quality.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eMore Features:\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eSample rates up to 192 kHz on all I\/Os (including 2 ADAT channels with SMUX4)\u003c\/li\u003e\r\n\u003cli\u003eTwo digitally controlled Mic Preamps in high-end quality\u003c\/li\u003e\r\n\u003cli\u003eTwo balanced universal inputs for line and instrument signals\u003c\/li\u003e\r\n\u003cli\u003eSteadyClock for maximum jitter suppression and clock refresh\u003c\/li\u003e\r\n\u003cli\u003eEnhanced stand-alone operation with rotary encoder and front panel display\u003c\/li\u003e\r\n\u003cli\u003eTotalMix: 648-channel mixer with 42-bit internal resolution\u003c\/li\u003e\r\n\u003cli\u003e54 Level Meter Peak\/RMS, hardware-calculated\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e* Minimal latencies are not guaranteed as they depend on the specific computer and application.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":33734292537477,"sku":"FIREFACEUC","price":806.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/FIREFACEUC1.jpg?v=1587202994"},{"product_id":"rme-fireface-ufx","title":"RME Fireface UFX","description":"\u003cp\u003eThe Fireface UFX is the flagship of RME's audio interfaces.\u003c\/p\u003e\r\n\r\n\u003cp\u003e60 channels of audio! Digitally controlled high-end preamps, reference class converters and full 192 kHz operation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUltra-low latency operation with USB and FireWire, combined with the legendary RME driver stability and maintenance. Including active jitter suppression, professional reference level support, advanced stand-alone functionality, RME's unique DIGICheck metering and analysis toolbox, and - of course - nearly identical operation and features on Windows PC and Mac.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOn top of it: TotalMix FX, the new digital high-end mixer and signal router, driven by two powerful DSP, with integrated EQ, Dynamics and Reverb\/Echo effects up to 192 kHz plus a built-in monitoring control.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe full-blown feature set is backed up by extraordinary usability. At its heart is a bright multi-functional colour display with full front panel metering for all 60 channels plus effect bus, and complete control of all key features - directly from the front of the UFX.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRME's new Fireface flagship is a highly integrated pro audio solution, a full-blown studio packed in a 19\" enclosure. An interface designed for users who don't want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivalled professional feature set. Once again a milestone interface from RME, including the best of the best - and even a bit more.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eInputs \u0026amp; Outputs\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe UFX provides 60 channels of audio: 30 input and 30 output channels. All inputs and outputs can be used at the same time. Up to 12 analog and 18 digital channels can be recorded onto 30 separate tracks.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAvailable I\/O (channels) with different Sample Rates\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003ctable\u003e\r\n  \u003ctr\u003e\r\n    \u003cth\u003eSample Rate\u003c\/th\u003e\r\n    \u003cth\u003eAnalog\u003c\/th\u003e\r\n    \u003cth\u003eAES\/EB\u003c\/th\u003e\r\n    \u003cth\u003eADAT\u003c\/th\u003e\r\n    \u003cth\u003eTotal In\/Out\u003c\/th\u003e\r\n  \u003c\/tr\u003e\r\n  \u003ctr\u003e\r\n    \u003ctd\u003e44.1\/48 kHz\u003c\/td\u003e\r\n    \u003ctd\u003e12\/12\u003c\/td\u003e\r\n    \u003ctd\u003e2\/2\u003c\/td\u003e\r\n    \u003ctd\u003e16\/16\u003c\/td\u003e\r\n    \u003ctd\u003e30\/30\u003c\/td\u003e\r\n  \u003c\/tr\u003e\r\n  \u003ctr\u003e\r\n    \u003ctd\u003e88.2\/96 kHz\u003c\/td\u003e\r\n    \u003ctd\u003e12\/12\u003c\/td\u003e\r\n    \u003ctd\u003e2\/2\u003c\/td\u003e\r\n    \u003ctd\u003e8\/8\u003c\/td\u003e\r\n    \u003ctd\u003e22\/22\u003c\/td\u003e\r\n  \u003c\/tr\u003e\r\n  \u003ctr\u003e\r\n    \u003ctd\u003e176.4\/192 kHz\u003c\/td\u003e\r\n    \u003ctd\u003e12\/12\u003c\/td\u003e\r\n    \u003ctd\u003e2\/2\u003c\/td\u003e\r\n    \u003ctd\u003e4\/4\u003c\/td\u003e\r\n    \u003ctd\u003e18\/18\u003c\/td\u003e\r\n  \u003c\/tr\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003cb\u003eAnalog I\/O\u003c\/b\u003e\r\n\r\n\u003cp\u003eThe UFX provides 12 analog I\/Os:\u003c\/p\u003e\r\n\r\n\u003cp\u003e12 Inputs. 8 balanced TRS on the back and 4 XLR inputs with mic\/instrument preamps on the front.\u003c\/p\u003e\r\n\r\n\u003cp\u003e12 Outputs . On the rear: 6 balanced TRS and 2 balanced XLR - perfect for the direct connection of the main studio monitors. On the front: Two additional TRS stereo phones outputs providing high volumes even with hi-impedance headphones (playback channels 9\/10 and 11\/12).\u003c\/p\u003e\r\n\r\n\u003cp\u003eSound Quality . When it comes to sound quality and price to performance ratio RME plays in its own league. The Fireface UFX is no exception. Like any other RME product it combines excellent analog circuit design with high-grade AD\/DA converter chips. Therefore all balanced TRS \u0026amp; XLR I\/Os and both phones outputs guarantee outstanding low noise and distortion values. In best RME tradition and product philosophy converters and preamps don't produce \"sound\", they do not add or remove anything from the source signal, just capture it as it is.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEquipped with the latest A\/D and D\/A converter chips, all I\/Os operate up to 192 kHz and reach 118 dBA dynamic range on playback - even both headphone outputs. Their high power technology delivers high volume no matter if high or low impedance phones are used. The balanced analog inputs are based on RME's low-latency converter design from the high-end converter ADI-8 QS. The DA section is based on RME's M-series. Both designs guarantee excellent S\/N and THD specs across a wide analog level range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDue to its efficient jitter reduction, RME's superior SteadyClock finalizes the state-of-the-art AD\/DA conversion, even when clocking to an external digital source.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEvery input and output is individually switchable to common professional studio levels: -10 dBV, +4 dBu, HiGain (equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale) - directly on the device or via TotalMix. The balanced XLR outputs even provide a level of up to +24 dBu.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAll outputs can be used for ASIO Direct Monitoring purposes.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eMic\/Inst Preamps with RME's Advanced Parallel Conversion technology\u003c\/h2\u003e\r\n\r\n\u003cp\u003e\u003cb\u003ePreamps\u003c\/b\u003e\u003cbr\u003e\r\n\u003c\/p\u003e\u003cp\u003eThe UFX has four high-transparency preamps backed up by four stereo converters with RME's new parallel converter technology.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMicrophone and instrument preamps of the UFX use the core technology from RME's Micstasy - a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The fully symmetrical preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response. A premium solution for transmitting and amplifying any audio input truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe digitally controlled gain of up to 65 dB, adjustable in steps of 1 dB over a range of 55 dB, is individually set for every preamp by the display-supported controls on the front of the UFX. All level settings are 100% reproducible and can also be adjusted comfortably within the TotalMix software on the host computer or by a MIDI remote controller.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe four inputs on the front use balanced XLR\/TRS combo sockets and operate alternatively as Hi-Z inputs. Directly plug in up to four guitars or other instruments - no other hardware required.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEach channel can be individually switched to 48V phantom power or instrument level. LEDs for signal, clip, TRS operation and activated phantom power give a complete overview on the unit's status.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAdvanced Parallel Conversion . The four UFX preamps are feeding not only four, but eight AD converters. Every microphone channel uses a double, parallel AD conversion on two AD converters at the same time to reach exceptional signal-to-noise values and a performance not available with a classic converter design.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe UFX follows RME's tradition of providing flexible and expandable audio systems. Adding additional preamplifiers or more analog inputs is easily done via the dual ADAT optical I\/Os on the rear.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eDigital I\/O, Word Clock \u0026amp; MIDI\u003c\/h2\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAES\/EBU:\u003c\/b\u003e The UFX provides a professional AES\/EBU I\/O working up to 192 kHz.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eADAT:\u003c\/b\u003e Two 8-channel ADAT I\/Os expand the UFX by 16 channels available simultaneously with the analog channels. They can be used to connect two 8-channel AD\/DA converters, mixing consoles, or to insert effects devices. Both I\/Os support sample rates with up to 192 kHz (S\/MUX4). Using two external converters like the ADI-8 QS, the UFX will provide 28 analog inputs and outputs, 20 with a sample rate of 96 kHz, and still 16 at 192 kHz.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eSPDIF:\u003c\/b\u003e The second ADAT I\/O can be used as optical SPDIF I\/O, making the UFX connections even more flexible.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eWord Clock \u0026amp; MIDI:\u003c\/b\u003e A word clock input and output (BNC) with switchable termination plus two MIDI I\/Os complete the I\/O list and turn the Fireface UFX into a professional audio system with universal usability.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eTotalMix FX\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe DSP-based TotalMix mixer allows fully independent routing and mixing of all 30 input and playback channels to all 30 physical outputs. Up to 15 totally independent stereo submixes plus a comprehensive Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd there is more: The next generation of TotalMix delivers hardware mixing\/routing with lots of new features and a highly improved usability. For a seamless integration of the new features TotalMix FX has been rewritten from the ground up.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEvery input and output channel comes with a luxury feature set, comparable to a full-scale digital console. The effects per channel include 3-band parametric EQ, adjustable Low Cut, Auto Level, Compressor, Expander, MS Processing and phase reversal. The Reverb and Echo effects unit is available for all channels by a stereo send and return bus. The UFX easily surpasses the competition by offering all these effects even at 192 kHz operation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTotalmix FXTwo DSPs ensure an impressive performance even in extreme applications. As usual with RME, TotalMix is available with all channels (90) at all sample rates, completely unlimited. The second DSP calculates the effects only, therefore has sufficient resources. For example, at 48 kHz 60 EQs, 34 Low Cuts and Echo can be activated. With activated Reverb and Echo still 46 EQs and 32 Low Cuts are available.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX-DSP uses automatic overload surveillance. As soon as no effect can be added anymore the TotalMix surface will clearly signal this condition. When changing to higher sample rates the UFX automatically deactivates all effects that exceed the DSP's performance - the DSP will never be overloaded. This also prevents the user from destroyed loudspeakers.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe complete effects section not only adds a lot of flexibility to the recording chain, but makes latency burdened software dispensable. TotalMix can easily replace any external mixer, e.g. to create different latency-free monitoring mixes with EQ and Reverb for the main studio monitors and the headphone of the vocalist(s) in the recording room.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFurthermore the DSP hardware calculates RMS and Peak levels for all 90 level meters, so there is zero CPU load on the host.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe main functions of TotalMix can be remote controlled via MIDI with any Mackie Control compatible controller.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eFeatures \u0026amp; Differences to classic TotalMix:\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003eNew design and improved usability\u003c\/li\u003e\r\n\u003cli\u003eImproved Control Room section for the main output (studio monitors) and phones. Cue for quick listening to other outputs. Separated monitor panel.\u003c\/li\u003e\r\n\u003cli\u003eFour mute, solo and fader groups each.\u003c\/li\u003e\r\n\u003cli\u003eSwitchable mono and stereo channel view\u003c\/li\u003e\r\n\u003cli\u003eNew channel options: Stereo Width, MS Processing, Phase L\/R\u003c\/li\u003e\r\n\u003cli\u003eTrim Mode: Adjusts the volume for all routed signals of a channel. This option allows to modify the volume of all sends of a channel simultaneously, equalling a hardware's trim functionality.\u003c\/li\u003e\r\n\u003cli\u003eUnlimited Undo and Redo\u003c\/li\u003e\r\n\u003cli\u003eFX Sends and Returns: One send bus for every input\/playback channel with Reverb\/Echo\u003c\/li\u003e\r\n\u003cli\u003eExpandable channel view for channel settings, EQ and Dynamics setup\u003c\/li\u003e\r\n\u003cli\u003eSlim channel mode for selected or all channels, to save space or give a meter bridge view\u003c\/li\u003e\r\n\u003cli\u003e2-Row Mode: reduces the height of the mixer to two rows for smaller displays\u003c\/li\u003e\r\n\u003cli\u003eExtended Matrix window with mono\/stereo mode, Undo\/Redo, display of phase and mute\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch2\u003eMonitor Controller\u003c\/h2\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eRME Advanced Remote Control\u003c\/b\u003e - The UFX is not only a perfect desktop level controller, but a monitor switcher and source selector with integrated talkback function for modern Mix-In-the-Box studios. As the UFX includes the usually externally added monitoring controller, it also preserves the original sound, as its hardware output stays directly connected to the studio monitors.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eLevel Control.\u003c\/b\u003e The big rotary encoder on the front of the UFX maintains precisely controls the three dedicated stereo monitor outputs Main Out, Phones 1 and Phones 2. Start turning the volume encoder and the display shows the current gain value in big numbers. The small encoder buttons provide direct access to pan and reverb for the selected output. Pushing the volume knob switches between the outputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eMonitor Management.\u003c\/b\u003e The above gain (volume) settings at the unit work hand in hand with the Control Room section of TotalMix FX. Any physical output can be assigned to the three, directly knob-controlled monitor outputs. E.g. just assign the AES\/EBU output as Main Out, or as Phones Out - any output can be used. The functions Talkback, Listenback, Mono and Dim will work automatically for the assigned outputs in the expected way. Convenience at its best.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eHardware Remote.\u003c\/b\u003e The UFX h=as a connector for the optional RME hardware remote, with controls for Volume, DIM, level storage and Recall.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eUSB \u0026amp; FireWire\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWith the release of the Fireface 800 in 2004 RME stirred up the FireWire audio market, setting the benchmarks and providing a superior solution with a unique feature set. It is no surprise many customers and testers respect RME as the reference and technology leader for FireWire audio interfaces. In 2009 RME released the Fireface UC, a USB solution which again provided an exceptional performance, previously not available from USB audio interfaces, once more becoming the technology leader.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe secret of success: RME is the only manufacturer not to use a third party USB or FireWire audio technology, but an own, self-developed Hammerfall Audio Core with an outstanding performance and uncompromised pro audio features.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Fireface UFX now combines USB and FireWire, Made by RME, within one interface.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eUSB 2.0\u003c\/b\u003e - The Fireface UFX has been uncompromisingly optimised for highest performance under Windows and Mac OS. It uses a special customised firmware for every operating system. Like other RME USB 2.0* interfaces, the UFX provides revolutionary ultra-low latencies even with multiple channels.\u003c\/p\u003e\r\n\r\n\u003cp\u003e* The Fireface UFX is compatible to USB 3 chipsets.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFireWire - The completely redesigned FireWire core provides the UFX with the same exceptional compatibility and performance as RME's USB solution. For the first time the UFX does not have any FireWire chip inside at all - it's completely programmed into the FPGA, under direct control of the RME masterminds, and updated by a simple firmware update - if ever necessary. This new technology is even compatible to Agere's infamous rev. 6 chip - that says it all.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eUsability\u003c\/h2\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eDisplay\u003c\/b\u003e - In search of an exceptional usability experience for the huge feature set, RME integrates a high-resolution colour display into the front panel. In combination with three rotary encoders all important features of the UFX can be manually controlled directly on the UFX itself. TotalMix, connected PC or Mac, is synced to the interface controls and follows all changes automatically.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eSmart control\u003c\/b\u003e - The four keys, the two encoders 1 and 2, the high-resolution and clear colour display, and a well thought-out menu structure enable the user to quickly change and configure all the device's settings even without a computer. Help notes and clear markers in the display guide the user through all functions.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eAdditional Features\u003c\/h2\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eSteadyClock\u003c\/b\u003e - RME's unique jitter suppression technology guarantees perfect sound quality throughout, making the device completely independent from the quality of external clock signals. Due to the highly efficient jitter reduction, the UFX converters operate independently from the quality of the external clock signal, as if they are working with internal clock all the time - guaranteeing a pristine sound quality!\u003c\/p\u003e\r\n\r\n\u003cp\u003eSteadyClock allows the Fireface UFX to control the sample rate freely on its own. The settings dialog includes a direct choice of the video and audio world's most often used sample rates.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eICC\u003c\/b\u003e - Intelligent Clock Control not only displays every clock status, but will also retain the last valid input sample rate in case of failure of the external source. Other renowned RME technologies like SyncCheck offer a quick detection of clock problems.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eDIGICheck\u003c\/b\u003e - The UFX comes with RME´s unique software tool box for metering, testing, measuring and analysing digital audio streams. It provides a multi-track recorder, calculates the level meters peak and RMS in hardware and is able to analyse and display playback data from any software, no matter which format the software uses.*\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003ePower supply\u003c\/b\u003e - The specially developed, internal hi-performance switch mode power supply lets the UFX operate in the range of 100V to 240V AC, thus it can be operated all over the world. It is short-circuit-proof, has an integrated line-filter, is fully regulated against voltage fluctuations, and suppresses mains interference.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eStand Alone Operation with Setup Recall\u003c\/b\u003e - Using the three rotary encoders and the clear colour display the Fireface UFX can be configured and set up completely at the device. Additionally internal memory allows for the permanent storage of six different states of the unit. Therefore the Fireface UFX is able to operate fully stand-alone, without any connected computer. In stand-alone operation it can transform into totally different devices by the simple click of a button. Furthermore, in this mode TotalMix FX can also be controlled via MIDI. Application examples include: 12-channel AD\/DA converter, 4-channel mic preamp, monitor mixer, digital format converter, analog\/digital routing matrix.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":33734293913733,"sku":"FIREFACEUFX","price":1579.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/FIREFACEUFX1.jpg?v=1587203000"},{"product_id":"rme-fireface-ucx","title":"RME Fireface UCX","description":"\u003ch2\u003e36 Ch, 24-Bit\/192kHz USB \u0026amp; FireWire Audio Interface\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe Fireface UCX, a new member of the RME Fireface X-Series - is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME’s long tradition of designing high-end interfaces as compact as possible, and frequently packing into a half-rack size unit what usually is spread out over two or three 19 inch panels.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn doing this the Fireface UCX marks a new space-cramping record, that's 300 electronic components more than in the already well-stocked Fireface UC! And 50 alone are to shield the internal high-end electronic from the pulsing DSP heart. In an immensely expanded effort RME have once again shoe-horned all their latest technologies which were introduced with the award winning flagship Fireface UFX, plus a whole bunch of newly developed ones, into a half 19” housing making it the perfect partner for mobile use.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe result is an awesome combination of RME’s most successful products: Fireface UFX, Firefaces UC\/400 and the Babyface.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Fireface UCX is not only a smaller version of the famous UFX, the UCX continues the legacy of RME’s tremendously successful compact interfaces such as the Fireface 400 and UC and combines it with the great usability experience of the Babyface by using one of the optional remote controls.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith the Fireface UCX, RME demonstrates once again how to reinvent an already perfect product, by improving existing features and characteristics with new sophisticated additions.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eRME Fireface UCX Features\u003c\/h2\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eLow Latency converters\u003c\/b\u003e of the mastering class with outstanding specifications.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eTwo mic preamps\u003c\/b\u003e with the premium technology from RME’s high-end recording bestsellers Micstasy and UFX, including the AutoSet overload protection.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA newly developed \u003cb\u003eHammerfall audio core\u003c\/b\u003e, supporting USB and FireWire with the maximum performance and ultra-low latency operation, combined with the legendary RME driver stability and maintenance, on both bus protocols.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eTotalMix FX\u003c\/b\u003e with the complete Fireface UFX DSP engine, including all zero-latency effects up to 192 kHz.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eMonitoring Controller:\u003c\/b\u003e by combining the impressive flexibility of the TotalMix FX monitoring tool set and the optional RME Basic or Advanced Remote Control.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRME’s unique \u003cb\u003eDIGICheck\u003c\/b\u003e metering and analysis toolbox for Windows PC and Mac.\u003c\/p\u003e\r\n\r\n\u003cp\u003ePlus support for RME’s Remote Controls, active jitter suppression technology, AutoSet for safe recording, professional reference level support, advanced stand- alone functionality, full 192 kHz operation, and last but not least two high speed MIDI I\/Os.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd if all of that is not enough: The Fireface UCX is the first professional audio interface with class compliant mode to work with Apple’s iPad, for perfect stereo recording and playback, and addition of truly professional I\/Os.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eInputs \u0026amp; Outputs - High End converters with low latency design\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe UCX provides 36 channels of audio - 18 I\/Os. All channels can be used at the same time. Up to 8 analogue and 10 digital channels can be recorded onto 18 separate tracks. All outputs can be used for ASIO Direct Monitoring purposes.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAnalogue I\/O\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe UCX provides 8 analogue I\/O in a very flexible combination:\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003e8 Inputs\u003c\/b\u003e\u003cbr\u003e\r\nOn the rear: 4 balanced TRS.\u003cbr\u003e\r\nOn the front: 2 XLR inputs with Mic\/Line preamps (65 dB Gain) and 2 Hi-Z capable TRS Line\/ Instrument inputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003e8 Outputs\u003c\/b\u003e\u003cbr\u003e\r\nOn the rear: 6 balanced TRS outputs.\u003cbr\u003e\r\nOn the front: One additional TRS stereo phones (playback channels 7\/8).\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe high power phones output offers high volumes even with low-impedance headphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eDigital I\/O SPDIF (coaxial)\u003c\/b\u003e\u003cbr\u003e\r\nThe UCX provides a SPDIF I\/O (up to 192 kHz).\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eADAT\u003c\/b\u003e\u003cbr\u003e\r\nOne ADAT I\/O expands the UCX by 8 channels, available simultaneously with the analog channels. They can be used to connect an 8-channel AD\/DA converter, to connect a mixing console, or to insert an effect device. The ADAT I\/O supports sample rates at up to 192 kHz (S\/MUX4). Using an external converter like the ADI-8 QS, the UCX will provide 16 analog inputs and outputs, 12 at a sample rate of 96 kHz, and still 10 at 192 kHz.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eSPDIF optical\u003c\/b\u003e\u003cbr\u003e\r\nThe ADAT I\/O can be used alternatively as optical SPDIF I\/O, making the UCX connections even more flexible.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eAvailable I\/O (channels) with different Sample Rates\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003ctable\u003e\r\n  \u003ctr\u003e\r\n    \u003cth\u003eSample Rate\u003c\/th\u003e\r\n    \u003cth\u003eAnalog\u003c\/th\u003e\r\n    \u003cth\u003eSPDIF\u003c\/th\u003e\r\n    \u003cth\u003eADAT\u003c\/th\u003e\r\n    \u003cth\u003eTotal In\/Out\u003c\/th\u003e\r\n  \u003c\/tr\u003e\r\n  \u003ctr\u003e\r\n    \u003ctd\u003e44.1\/48 kHz\u003c\/td\u003e\r\n    \u003ctd\u003e8\/8\u003c\/td\u003e\r\n    \u003ctd\u003e2\/2\u003c\/td\u003e\r\n    \u003ctd\u003e8\/8\u003c\/td\u003e\r\n    \u003ctd\u003e18\/18\u003c\/td\u003e\r\n  \u003c\/tr\u003e\r\n  \u003ctr\u003e\r\n    \u003ctd\u003e88.2\/96 kHz\u003c\/td\u003e\r\n    \u003ctd\u003e8\/8\u003c\/td\u003e\r\n    \u003ctd\u003e2\/2\u003c\/td\u003e\r\n    \u003ctd\u003e4\/4\u003c\/td\u003e\r\n    \u003ctd\u003e14\/14\u003c\/td\u003e\r\n  \u003c\/tr\u003e\r\n  \u003ctr\u003e\r\n    \u003ctd\u003e176.4\/192 kHz\u003c\/td\u003e\r\n    \u003ctd\u003e8\/8\u003c\/td\u003e\r\n    \u003ctd\u003e2\/2\u003c\/td\u003e\r\n    \u003ctd\u003e2\/2\u003c\/td\u003e\r\n    \u003ctd\u003e12\/12\u003c\/td\u003e\r\n  \u003c\/tr\u003e\r\n\u003c\/table\u003e\r\n\r\n\u003ch2\u003eSound Quality\u003c\/h2\u003e\r\n\r\n\u003cp\u003eEquipped with a new 2011 A\/D and D\/A high-performance converter design, all I\/Os operate at up to 192 kHz. The AD\/DA conversion supersedes the outstanding technical specifications of the Fireface UC\/400 with an impressive 115 dBA dynamic range on both record and playback.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe advanced multi-bit converter architecture guarantees excellent S\/N and THD specs across a wide analogue level range. In the best RME tradition and product philosophy the UCX converters and preamps don’t produce “sound”, they do not add or remove anything from the source signal, just capture it as it is.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDue to its efficient jitter reduction, RME’s superior SteadyClockTM  finalizes the state-of-the-art AD\/DA conversion, even when clocking to an external digital source.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eLow Latency Converters\u003c\/h2\u003e\r\n\r\n\u003cp\u003eAll analogue I\/Os provide a low latency converter design with impressive 14 samples for the ADC, and 7 samples for the DAC, independent of the used sample rate.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThese values are about a quarter of those from the Fireface UC\/400 (43\/28), and even out-perform much more expensive devices. A technical breakthrough that reduces the overall latency of timing critical applications, in live situations and in the computer-based recording studio. The converter latency is so low (0.4 ms at 48 kHz) that it can be ignored, turning analog digital monitoring into real analog-style monitoring!\u003c\/p\u003e\r\n\r\n\u003ch2\u003eProfessional Level Support\u003c\/h2\u003e\r\n\r\n\u003cp\u003eA great converter needs to support the common studio levels for the perfect adaptation to other analog equipment without loosing headroom. Like all other RME devices the UCX supports the common professional studio levels: -10 dBV, +4 dBu, Lo \/ HiGain. The software-controlled reference levels, realised discretely in the analog domain, ensure highest dynamic range and fidelity.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eInputs 3 to 8:\u003c\/b\u003e -10 dBV, +4 dBu and Lo Gain (adjustable in TotalMix in two groups – channels 3\/4 and 5 to 8).\u003cbr\u003e \r\n\u003cb\u003eOutputs 1 to 6:\u003c\/b\u003e -10 dBV, +4 dBu and Hi Gain.\u003cbr\u003e\r\n\u003cb\u003ePhones\/line out 7\/8:\u003c\/b\u003e -10 dBV, +4 dBu and Hi Gain.\u003cbr\u003e\r\nThe phones output (channels 7\/8) can be set to a different reference as channels 1 to 6.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eMicrophone Preamps - Digitally controlled . with AutoSet\u003c\/h2\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eQuality over quantity\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe crown jewels of the UCX are the two high-end mic and instrument preamps – built right into the front.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLike in the UFX both preamps use the core technology from RME’s Micstasy - a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The outstanding preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfectly flat frequency response that lets these preamps surpass those of other devices costing several times the price of the UCX. A premium solution for transmitting and amplifying any audio source truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe digitally controlled gain of up to 65 dB, adjustable in steps of 1 dB over a range of 55 dB, is individually set for each preamp with the encoder knob on the front or in TotalMix FX on the host computer. All level settings are 100% reproducible and can also be adjusted using a MIDI remote controller.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEach channel can be individually switched to 48V phantom power. LEDs for signal, clip and activated phantom power give a complete overview on the unit’s status.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe two TRS inputs on the front can operate alternatively as Hi-Z inputs. Directly plug in up to two guitars or other instruments - no other hardware is required.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eAutoSet\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe UCX offers a unique RME feature which was previously available only in the high-end microphone preamp Mistasy and the UFX.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUsually a limiter is used during the recording to prevent clipping of the A\/D converter stage. But analog processing would not only spoil the excellent technical specifications of the UCX mic preamps but also alter the original sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThanks to the completely digitally controlled gain the UCX can reduce the gain automatically, thus providing perfect protection from overload with no degradation of the audio signal, which does not have to pass any additional electronic circuitry. Additionally AutoSet does not cause any of the control noises known from usual limiters. SNR and THD stay completely unchanged.\u003c\/p\u003e\r\n\r\n\u003cp\u003eExample: In a recording session, the recording engineer asks the vocalist or guitarist to sing or play a reference part and sets the UCX preamp gain to an unusual high level (e. g. 50 dB). AutoSet will automatically reduce the gain when the level reaches -6 dBFS. The reduction is done in a musical way, based on the intensity and duration of the input signal. Manual gain adjustment becomes obsolete most of the time, but the gain can still be set manually. AutoSet can be switched on for each of the 4 front panel mic and instrument preamp channels individually.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eHammerfall X-Core - USB + FireWire Made by RME\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWith the release of the Fireface 800 in 2004 RME stirred up the FireWire audio market, setting the benchmarks and providing a superior solution with a unique feature set. It is no surprise many customers and testers respect RME as the reference and technology leader for FireWire audio interfaces. In 2009 RME released the Fireface UC, a pioneering USB solution which again provided an exceptional performance, previously not available from USB audio interfaces. RME once again became the technology leader from the start.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe secret of success: RME is the only manufacturer not to use a third party USB or FireWire audio technology, but an own, self-developed Hammerfall Audio Core with an outstanding performance and uncompromised pro audio features.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRME integrated the latest and most sophisticated version of RME’s bus technology, the Hammerfall X-Core - combining both, USB 2.0 and FireWire - within one half-rack sized interface.\u003c\/p\u003e\r\n\r\n\u003cp\u003eUSB 2.0. Like other RME USB 2.0* interfaces the Fireface UCX has been optimised for highest performance under Windows and Mac OS. It uses a special customised firmware for each operating system, and provides revolutionary ultra-low latencies even with multiple channels.\u003c\/p\u003e\r\n\r\n\u003cp\u003e* The Fireface UCX is compatible to USB 3 chipsets.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFireWire. The completely redesigned Hammerfall FireWire technology of the X-Core provides the UCX with the same exceptional compatibility and performance as RME’s USB solution. The UCX does not have any FireWire chip inside – the complete bus technology is programmed into the FPGA and remains under direct control of the RME masterminds. If ever necessary, it can be updated anytime by a simple firmware update.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eClass Compliant Mode\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe Fireface UCX is the first professional audio interface with the option to be used as Class Compliant interface. It then works without a driver as audio\/MIDI interface on several operating systems, and with Apple’s iPad and iPad2 (Camera Connection Kit required). The UCX provides the iPad with the professional analogue I\/O connections it lacks. Superb microphone preamps with EQ, dynamics, AutoSet, in addition to professional balanced line outputs, and a hi-power headphone output. Plus level adjustments, reverb, echo, zero latency monitoring. All of this digitally via USB - which means no limitation in quality.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eTotalMix FX - Built-in high-end hardware mixer\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe UCX provides the complete effects engine from the UFX - all effects are available at all sample rates.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe DSP-based TotalMix mixer allows fully independent routing and mixing of all 18 input and playback channels to all 18 physical outputs. Up to 9 totally independent stereo submixes plus a comprehensive Control Room section offer unrivalled monitoring capabilities and unsurpassed routing flexibility.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAnd there is more: The latest generation of TotalMix delivers hardware mixing\/routing with lots of new features and a highly improved usability. For a seamless integration of the new features TotalMix FX has been rewritten from the ground up.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEvery input and output channel comes with a luxury feature set, comparable to a full-scale digital console. The effects per channel include 3-band parametric EQ, adjustable Low Cut, Auto Level, Compressor, Expander, MS Processing and phase reversal. The Reverb and Echo effects unit is available for all channels by a stereo send and return bus. The UCX easily surpasses the competition by offering all these effects even at 192 kHz operation.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo DSPs ensure an impressive performance even in extreme applications. As usual with RME, TotalMix is available with all channels at all sample rates, completely unlimited. The second DSP calculates the effects only, therefore has sufficient resources. For example, at 48 kHz 36 EQs, 36 Low Cuts, 26 Compressors and Echo can be activated. With activated Reverb and Echo still 36 EQs, 36 Low Cuts and 16 Compressors are available.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FX-DSP uses automatic overload surveillance. As soon as no effect can be added anymore the TotalMix surface will clearly signal this condition. When changing to higher sample rates the UFX automatically deactivates all effects that exceed the DSP’s performance - the DSP will never be overloaded. This also prevents the user from destroyed loudspeakers.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe complete effects section not only adds a lot of flexibility to the recording chain, but makes latency burdened software dispensable. TotalMix can easily replace any external mixer, e.g. to create different latency- free monitoring mixes with EQ and Reverb for the main studio monitors and the headphone of the vocalist(s) in the recording room.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFurthermore the DSP hardware calculates RMS and Peak levels for all 54 level meters, so there is zero CPU load on the host.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe main functions of TotalMix can be remote controlled via MIDI with any Mackie Control compatible controller.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eIntegrated Monitoring Controller with the optional RME Basic or Advanced Remote Control\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThanks to the multi-functional rotary encoder the UCX is not only a perfect desktop level controller for the main monitors and phones. The integrated TotalMix FX high-end mixer provides an impressive set of monitoring control features for modern Mix-In-the-Box studios or live mixing sessions. Among them Dim, source selection, monitor switching, integrated Talkback, a flexible CUE setup, Mute and Mute FX, Mono and much more.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn contrary to a 3rd party external monitoring controller the built-in UCX solution preserves the original sound, as its hardware outputs stay directly connected to the studio monitors, avoiding another device with a possible signal alteration in the signal path.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe flexibility of RME’s DSP-driven TotalMix FX monitoring tool set is impressive: any physical output can be assigned to the directly knob-controlled monitor outputs (Main out, Speaker B, Phones 1, 2 ...). Just assign the SPDIF output as Speaker B or as Phones Out - any output can be used. The functions Talkback, Listenback, Mono and Dim will work automatically for the assigned outputs in the expected way. CUE mixes can be sent to a predefined output, an external input can be assigned and monitored with a simple click. Convenience for any studio or live situation at its best.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe UCX provides an integrated connector on the back for RME’s remote controls.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe optional Basic Remote Control provides one big wheel dial, a button for level storage\/recall, and a freely programmable button for nearly all TotalMix FX functions.\u003cbr\u003e\r\nThe optional Advanced Remote Control (ARC) adds 6 freely programmable buttons with LEDs to the feature set. Just assign all frequently used TotalMix functions to these buttons.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBoth remotes come with a flexible, 5 m (16 ft.) long cable.\u003c\/p\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":33734295093381,"sku":"FIREFACEUCX","price":1075.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/FIREFACEUCX1.jpg?v=1587203008"},{"product_id":"rme-babyface-pro","title":"RME Babyface Pro","description":"\u003ca href=\"http:\/\/synthax.co.uk\/RME-5-Year-Warranty\"\u003e\u003cimg src=\"http:\/\/synthax.co.uk\/sites\/default\/files\/Products\/RME\/RME%205YW%20Product%20Page%202.jpg\" alt=\"RME 5 Year Warranty\"\u003e\u003c\/a\u003e\r\n\r\n\u003cp\u003e\u003cb\u003eReengineered, not remastered\u003c\/b\u003e\u003c\/p\u003e\r\n\r\n\u003ch2\u003e24-Channel 192 kHz bus-powered professional USB 2.0 Audio Interface\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe exciting new Babyface Pro once again demonstrates RME’s absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCreated with the highest precision from a block of aluminum, this high-end yet portable interface incorporates newly designed analog and digital circuits. Its innovative energy saving technologies provide supreme fidelity with no compromises in level, noise or distortion.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eProgressive Interface\u003c\/h2\u003e\r\n\r\n\u003cp\u003eFor the main I\/O RME have designed a completely new XLR socket, which integrates seamlessly into the housing and saves space. The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwo digitally controlled preamps provide individually switchable 48V phantom power. These brand new circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBabyface Pro’s incredibly efficient design almost never requires an external power supply – it’s perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe comprehensive feature set continues with an optical TOSLINK I\/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro’s jack inputs 3 \u0026amp; 4. Record your guitar on the go, with no additional hardware required. MIDI I\/O via an included breakout cable completes the package.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eProfound Technology\u003c\/h2\u003e\r\n\r\n\u003cp\u003eBabyface Pro ships with RME’s TotalMix FX, available for Windows and Mac OS X. An iOS version is available as well. This amazingly versatile software allows you to use Babyface Pro in every situation. You can do something as simple as mixing together your guitar and vocal to headphones.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe FPGA-based DSP mixer adds a flexible, 3-band parametric equalizer to all inputs and outputs. Reverb and delay FX are also onboard.\u003c\/p\u003e\r\n\r\n\u003cp\u003eLatest generation low latency AD\/DA converters, combined with RME’s unique SteadyClock technology, result in exceptional specifications that will satisfy the most demanding of professionals.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCombining a huge feature set with sonic excellence and intuitive control, whether for the studio or on the move, the RME Babyface Pro is the most comprehensive and versatile compact audio interface ever built.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cb\u003eFPGA Chip\u003c\/b\u003e - A field-programmable gate array (FPGA) is an integrated circuit designed to be configured by a customer or a designer after manufacturing.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eClass Compliant\u003c\/b\u003e - The Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OS X, Linux distributions, and hardware like Apple’s iPad. No proprietary drivers are required, the device will be directly recognized.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eSteadyClock\u003c\/b\u003e - Due to the highly efficient jitter reduction, the converters operate as if they are working with internal clock all the time - guaranteeing a pristine sound experience!\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eTotalMix FX\u003c\/b\u003e - TotalMix FX is RME’s superior hardware mixer. It delivers fully flexible mixing\/routing with many superior features for studio and live work, still maintaining exemplary overview and usability.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\r\n\u003ch2\u003eProfessional Features\u003c\/h2\u003e\r\n\r\n\u003cp\u003eStraight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.\u003c\/p\u003e\r\n\r\n\u003cp\u003eEven in stand-alone mode, routing and mixing of inputs to outputs directly on the device opens a whole world of possible applications.\u003c\/p\u003e\r\n\r\n\u003cimg src=\"http:\/\/babyface.rme-audio.de\/images\/peak.gif\" alt=\"RME Babyface Pro VU Meters\"\u003e\r\n\r\n\u003ch2\u003eConnectivity\u003c\/h2\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e12 Input and 12 Output channels\u003c\/li\u003e\r\n\u003cli\u003e4 x Analog Inputs (Mic, Line, Instrument)\u003c\/li\u003e\r\n\u003cli\u003e4 x Analog Outputs (2 x XLR, 2 x Phones)\u003c\/li\u003e\r\n\u003cli\u003e1 x ADAT I\/O or 1 x SPDIF I\/O optical\u003c\/li\u003e\r\n\u003cli\u003e1 x MIDI I\/O\u003c\/li\u003e\r\n\u003cli\u003e1 x USB 2.0 (USB 3 compatible)\u003c\/li\u003e\r\n\u003cli\u003eDigital Gain control on all inputs\u003c\/li\u003e\r\n\u003cli\u003eSeparate outputs for high and low impedance headphones\u003c\/li\u003e\r\n\u003cli\u003eTotalMix FX (with EQ, Reverb, Delay)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":33734685491333,"sku":"BABYFACEPRO","price":671.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0338\/4983\/5653\/products\/BABYFACEPRO1.jpg?v=1587205132"},{"product_id":"native-instruments-maschine","title":"Native Instruments Maschine+","description":"\u003ch2\u003eSTANDALONE PRODUCTION AND PERFORMANCE INSTRUMENT\u003c\/h2\u003e\r\n\r\n\u003cp\u003eThe workflow. The sounds. No computer necessary.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eDO IT STANDALONE\u003c\/h2\u003e\r\n\r\n\u003cp\u003eStandalone means more focus, more freedom, and more music making. Plug in, power up, and get creating straight away in the embedded MASCHINE+ production environment – from first ideas to finished tracks. Dial in effects to tweak your sounds, or sample audio and make it your own with an intuitive interface designed to keep the creative juices flowing. And if you want to bring your ideas into a DAW, copy them over, and boot up the MASCHINE software on your computer to pick up where you left off.\u003c\/p\u003e\r\n\r\n\u003ch2\u003e9 INSTRUMENTS, 35 EFFECTS, AND THOUSANDS OF SOUNDS ON BOARD\u003c\/h2\u003e\r\n\r\n\u003cp\u003eAs well as its classic groovebox workflow, MASCHINE+ includes MASCHINE+ Selection: A dedicated package of nine synths and sampled instruments, 35 effects, and seven Expansions (including two of your own choosing) that work seamlessly in standalone mode. It includes heavy-hitters like MASSIVE, FM8, MONARK, PRISM, the MASCHINE Factory Selection, RAUM, and PHASIS. That means its 16 pads can sound like a dusty vintage drumkit, a warped wavetable lead, or an organic modal synth – pretty much anything you can think of if you flex your sound design skills.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eSAMPLE AND SEQUENCE EVERYTHING\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWhether you’re digging records or ripping radio edits, record any sound into MASCHINE+ and quickly chop and stretch the results into your own custom kits. Or transform and twist them in real-time with the Audio plug-in. The same goes for guitars, vocals, drums, and anything else – more sounds means more creative ways to make music.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eMADE TO BE PLAYED\u003c\/h2\u003e\r\n\r\n\u003cp\u003eBring real expression to live performances with intuitive control over your music – tap out beats, run arpeggiators, or tweak synth melodies in real time. MASCHINE+ is an intuitive live sequencer, a fully-fledged groovebox, and a powerful performance synthesiser rolled into one.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eINTRODUCING CLIPS\u003c\/h2\u003e\r\n\r\n\u003cp\u003eClips let you arrange your ideas with even more freedom. Create transitions across scenes, add unique variation to patterns, record MIDI directly into the full arrangement, and freely add audio wherever you need it. Once you’ve fleshed out your ideas, you can use MASCHINE+ as a powerful tool to push tracks past the finish line.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eCONNECT AND CONTROL YOUR SETUP\u003c\/h2\u003e\r\n\r\n\u003cp\u003ePlay and sequence outboard gear and capture the results, or manipulate external audio in real time with effects. MASCHINE+ can control, mix, and manipulate the rest of your setup with MIDI, line, and mic inputs to bring everything together instantly. And if you want to work with a computer, it doubles up as a classic MASCHINE controller too.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eSYNC AND ADD SOUNDS WIRELESSLY\u003c\/h2\u003e\r\n\r\n\u003cp\u003eMASCHINE+ is Wi-Fi enabled, which means you can install new sounds, instruments, and effects at the touch of a button, without a computer in sight. When it comes to jamming with others or playing out live, keep in sync with other music apps, DAWs, and compatible gear with Ableton Link.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eADD EVEN MORE WITH EXPANSIONS\u003c\/h2\u003e\r\n\r\n\u003cp\u003eNeed more sounds? Expansions are great for giving MASCHINE+ some sonic love, with presets for its synths, one-shot samples, loops, and kits. The catalog is always expanding, and getting the latest sounds is quick and easy – just download and they’re ready to roll.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eSPEED MASCHINE\u003c\/h2\u003e\r\n\r\n\u003cp\u003eHammer out beats, sequence melodies, create variations, and experiment with new ideas. The MASCHINE workflow is all about developing your music quickly, and MASCHINE+ is no exception.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eTHE PADS\u003c\/h2\u003e\r\n\r\n\u003cp\u003eBig and in your face, but endlessly expressive – the MASCHINE+ pads are great for drumming up rhythms, working out melodies, and playing chords. Use them like a keyboard with real expression, fire up the step sequencer if that’s your thing, or slice samples across them to create custom kits in seconds.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eTHE SCREENS\u003c\/h2\u003e\r\n\r\n\u003cp\u003eFind the sounds you need. Choose a plug-in, add effects, chain and tweak them. Slice samples with surgical precision for custom chops.\u003c\/p\u003e \r\n\r\n\u003cp\u003eArrange, monitor, and mix your music. Two hi-res screens keep the MASCHINE+ workflow fast, fluid, and versatile with visual, dynamic control when sketching ideas, fleshing them out, and mixing them down.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eONE-TOUCH WORKFLOW\u003c\/h2\u003e\r\n\r\n\u003cp\u003eMenu-diving is never fun. MASCHINE+ keeps essential control at your fingertips. Once you’ve found the sounds you need, the rest is about creating quickly.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cb\u003ePAD INPUT MODES\u003c\/b\u003e - Go from drumming patterns to playing melodies, sequencing synths, and one-touch chords in a snap.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eLOCK BUTTON\u003c\/b\u003e - Hit the lock button, go wild with effects, tweaks, and more, before hitting it again to reset your tweaks for dynamic transitions.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eMACRO BUTTON\u003c\/b\u003e - Touch a knob, assign your favourite parameter, and get tweaking.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eNOTE REPEAT\u003c\/b\u003e - Big, easy to find, and great for fills or arpeggios when sketching ideas or performing live.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eFIXED VELOCITY\u003c\/b\u003e - Program accents and ghost notes quickly with 16 fixed velocity levels or get a smooth, constant volume when triggering samples.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eTRANSPORT CONTROL\u003c\/b\u003e - Essential transport functions, as well as mute control are a click away.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch2\u003eTHE TOUCH ENCODERS\u003c\/h2\u003e\r\n\r\n\u003cp\u003eDial in effects and modulation, touch to browse tags when searching for the right sound, or get hands-on with macro controls when performing. Context-sensitive touch encoders keep tweaking quick, and sound sculpting hands-on.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eTHE SMART STRIP\u003c\/h2\u003e\r\n\r\n\u003cp\u003eSmall but mighty, the Smart Strip can be used for the classic pitch modulation you’d find on a keyboard, as well as modulating other controls, an expressive way to use Perform FX, and to strum chords and samples like a guitar for both effective realism and left-field creations.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eSAMPLING\u003c\/h2\u003e\r\n\r\n\u003cp\u003eFrom crate-digging treasures to vocals and field recordings, sampling is ingrained in MASCHINE’s DNA. Hook up your sound source, enter the sampling mode, and stretch, chop, or loop audio in a matter of seconds.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eSONG MODE\u003c\/h2\u003e\r\n\r\n\u003cp\u003eTake ideas, mix them up, swap them about, and structure your tracks straight from MASCHINE+. 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And if you want to bring your ideas into a DAW, copy them over, and boot up the MASCHINE software on your computer to pick up where you left off.\u003c\/p\u003e\r\n\r\n\u003ch2\u003e9 INSTRUMENTS, 35 EFFECTS, AND THOUSANDS OF SOUNDS ON BOARD\u003c\/h2\u003e\r\n\r\n\u003cp\u003eAs well as its classic groovebox workflow, MASCHINE+ includes MASCHINE+ Selection: A dedicated package of nine synths and sampled instruments, 35 effects, and seven Expansions (including two of your own choosing) that work seamlessly in standalone mode. It includes heavy-hitters like MASSIVE, FM8, MONARK, PRISM, the MASCHINE Factory Selection, RAUM, and PHASIS. That means its 16 pads can sound like a dusty vintage drumkit, a warped wavetable lead, or an organic modal synth – pretty much anything you can think of if you flex your sound design skills.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eSAMPLE AND SEQUENCE EVERYTHING\u003c\/h2\u003e\r\n\r\n\u003cp\u003eWhether you’re digging records or ripping radio edits, record any sound into MASCHINE+ and quickly chop and stretch the results into your own custom kits. Or transform and twist them in real-time with the Audio plug-in. The same goes for guitars, vocals, drums, and anything else – more sounds means more creative ways to make music.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eMADE TO BE PLAYED\u003c\/h2\u003e\r\n\r\n\u003cp\u003eBring real expression to live performances with intuitive control over your music – tap out beats, run arpeggiators, or tweak synth melodies in real time. MASCHINE+ is an intuitive live sequencer, a fully-fledged groovebox, and a powerful performance synthesiser rolled into one.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eINTRODUCING CLIPS\u003c\/h2\u003e\r\n\r\n\u003cp\u003eClips let you arrange your ideas with even more freedom. Create transitions across scenes, add unique variation to patterns, record MIDI directly into the full arrangement, and freely add audio wherever you need it. Once you’ve fleshed out your ideas, you can use MASCHINE+ as a powerful tool to push tracks past the finish line.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eCONNECT AND CONTROL YOUR SETUP\u003c\/h2\u003e\r\n\r\n\u003cp\u003ePlay and sequence outboard gear and capture the results, or manipulate external audio in real time with effects. MASCHINE+ can control, mix, and manipulate the rest of your setup with MIDI, line, and mic inputs to bring everything together instantly. And if you want to work with a computer, it doubles up as a classic MASCHINE controller too.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eSYNC AND ADD SOUNDS WIRELESSLY\u003c\/h2\u003e\r\n\r\n\u003cp\u003eMASCHINE+ is Wi-Fi enabled, which means you can install new sounds, instruments, and effects at the touch of a button, without a computer in sight. When it comes to jamming with others or playing out live, keep in sync with other music apps, DAWs, and compatible gear with Ableton Link.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eADD EVEN MORE WITH EXPANSIONS\u003c\/h2\u003e\r\n\r\n\u003cp\u003eNeed more sounds? Expansions are great for giving MASCHINE+ some sonic love, with presets for its synths, one-shot samples, loops, and kits. The catalog is always expanding, and getting the latest sounds is quick and easy – just download and they’re ready to roll.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eSPEED MASCHINE\u003c\/h2\u003e\r\n\r\n\u003cp\u003eHammer out beats, sequence melodies, create variations, and experiment with new ideas. The MASCHINE workflow is all about developing your music quickly, and MASCHINE+ is no exception.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eTHE PADS\u003c\/h2\u003e\r\n\r\n\u003cp\u003eBig and in your face, but endlessly expressive – the MASCHINE+ pads are great for drumming up rhythms, working out melodies, and playing chords. Use them like a keyboard with real expression, fire up the step sequencer if that’s your thing, or slice samples across them to create custom kits in seconds.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eTHE SCREENS\u003c\/h2\u003e\r\n\r\n\u003cp\u003eFind the sounds you need. Choose a plug-in, add effects, chain and tweak them. Slice samples with surgical precision for custom chops.\u003c\/p\u003e \r\n\r\n\u003cp\u003eArrange, monitor, and mix your music. Two hi-res screens keep the MASCHINE+ workflow fast, fluid, and versatile with visual, dynamic control when sketching ideas, fleshing them out, and mixing them down.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eONE-TOUCH WORKFLOW\u003c\/h2\u003e\r\n\r\n\u003cp\u003eMenu-diving is never fun. MASCHINE+ keeps essential control at your fingertips. Once you’ve found the sounds you need, the rest is about creating quickly.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cb\u003ePAD INPUT MODES\u003c\/b\u003e - Go from drumming patterns to playing melodies, sequencing synths, and one-touch chords in a snap.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eLOCK BUTTON\u003c\/b\u003e - Hit the lock button, go wild with effects, tweaks, and more, before hitting it again to reset your tweaks for dynamic transitions.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eMACRO BUTTON\u003c\/b\u003e - Touch a knob, assign your favourite parameter, and get tweaking.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eNOTE REPEAT\u003c\/b\u003e - Big, easy to find, and great for fills or arpeggios when sketching ideas or performing live.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eFIXED VELOCITY\u003c\/b\u003e - Program accents and ghost notes quickly with 16 fixed velocity levels or get a smooth, constant volume when triggering samples.\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cb\u003eTRANSPORT CONTROL\u003c\/b\u003e - Essential transport functions, as well as mute control are a click away.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch2\u003eTHE TOUCH ENCODERS\u003c\/h2\u003e\r\n\r\n\u003cp\u003eDial in effects and modulation, touch to browse tags when searching for the right sound, or get hands-on with macro controls when performing. 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